Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

New Munch Museum Building to Open Soon

February 24th, 2021

After a lengthy construction period, the new Munch Museum building in Oslo is preparing to open, the Architectural Digest reports.
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UK Reopening Plans See Shops Opening a Full Month Before Museums

February 24th, 2021

The UK has announced that museums will not be able to reopen until Mid-May, a full month after shops and retail galleries.  “It just makes no sense,” says Rebecca Salter, the president of the Royal Academy of Arts . On the 12 April all the retail will open on Piccadilly and our gates will stay shut, I don’t get the logic of it frankly. It just doesn’t feel joined up to me … I’m angry.”
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NYT Looks at Artists Commemorating Those Lost to Covid-19

February 24th, 2021

A piece in the NYT looks at the artists already thinking of the best way to commemorate those lost to the Covid-19 pandemic. “They want to recognize the deaths of those individuals, as well as to express a communal sense of shared loss and shared remembrance,” says geographer Avril Maddrell.
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REFERENCE LIBRARY

Jean-Pierre Lehmann

Collector’s Birthdate: NA

Lehmann and wife, Chelsea-based art dealer, Rachel, have resided in New York since they moved from Geneva in 1992 and have been dedicated collectors of art for longer than 20 years.

Lehmann’s collection includes early works by Jeff Koons, Matthew Barney, Kara Walker, Jeff Wall and Gabriel Orozco. Notable works of his collection include Gilbert & George’s “Hands up”, Lisa Yuskavage’s “XLP” and Koon’s “Elephant”.

On contemporary artists:

“One of the problems artists today are going to face is that life, in general, is much longer than it used to be. You don’t have artists dying of tuberculosis or alcoholism when they are thirty-five or forty and leaving very interesting works – but very limited quantities, because their lives were limited. Now, most artists will probably live like everybody else until eighty, ninety or one hundred, and if they want to produce until the end, they’ll have problems, because their productive years will be much longer. Probably then you will see the difference between the good and the less good.”

Lindemann, Adam. Collecting Contemporary: Los Angeles, Taschen GmbH 2006.