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NADA Miami Announces Exhibitor List

September 21st, 2018

NADA Miami Beach, via Art NewsNADA has announced the gallery list for the 2018 edition of its Miami fair, which will now serve as the central fair of the organization’s yearly programming after its 2019 New York fair was cancelled. 
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Met to Looks Into Subleasing Breuer Building to Frick

September 21st, 2018

Thomas P Campbell at Met Breuer, via NYTThe Met is looking into plans to lease its space at the Breuer Building to the Frick Collection as the museum undergoes renovation in 2020.  The plan would save the museum $45 million. “Our objective in expanding our programming to The Met Breuer was to present the modern collection and other strengths of our encyclopedic holdings, and to enable our curators to organize cutting-edge exhibitions. We are extremely pleased with the visitor response and critical acclaim for these programs and look forward to building on what we have learned in the years ahead at The Met Fifth Avenue,” says President Daniel Weiss. 
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Jeffrey Deitch Interviewed in LA Times

September 20th, 2018

Deitch, via LA TimesJeffrey Deitch has an interview in the LA Times this week, as he tours the newspaper around his new space in Hollywood. “For people coming from different parts of America, coming from different countries,” he says, “this is a really L.A. space. And that’s what I wanted — an only-in-L.A. space.”
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REFERENCE LIBRARY

Jean-Pierre Lehmann

Collector’s Birthdate: NA

Lehmann and wife, Chelsea-based art dealer, Rachel, have resided in New York since they moved from Geneva in 1992 and have been dedicated collectors of art for longer than 20 years.

Lehmann’s collection includes early works by Jeff Koons, Matthew Barney, Kara Walker, Jeff Wall and Gabriel Orozco. Notable works of his collection include Gilbert & George’s “Hands up”, Lisa Yuskavage’s “XLP” and Koon’s “Elephant”.

On contemporary artists:

“One of the problems artists today are going to face is that life, in general, is much longer than it used to be. You don’t have artists dying of tuberculosis or alcoholism when they are thirty-five or forty and leaving very interesting works – but very limited quantities, because their lives were limited. Now, most artists will probably live like everybody else until eighty, ninety or one hundred, and if they want to produce until the end, they’ll have problems, because their productive years will be much longer. Probably then you will see the difference between the good and the less good.”

Lindemann, Adam. Collecting Contemporary: Los Angeles, Taschen GmbH 2006.