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NEWS

Jean-Michel Basquiat Work at TEFAF 2017 Revealed as Fake by André Heller

November 3rd, 2022

Musician and artist André Heller fabricated a falsely attributed Jean-Michel Basquiat for sale at TEFAF in 2017, Art News reports. “In retrospect, the whole thing is, firstly, a childish prank. Secondly, it is naturally showing off. And thirdly, it is a stupid mixture of fiction and truth,” he says. “Just a private fairy tale.”
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Monica Bonvicini “Pauses” Representation with König Galerie After Allegations Against Founder

November 3rd, 2022

Monica Bonvicini has “paused” her relationship with König Galerie after sexual harassment allegations broke against its founder, Johann König.
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Oscar yi Hou Profiled in NYT

October 25th, 2022

Artist Oscar yi Hou gets the profile treatment in the New York Times this week, as he opens a show at the Brooklyn Museum. “I think by creating symbolic densities, you’re able to invite the viewer to pay more attention to the works,” he says. “I try to honor the opacity of the subject.”
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REFERENCE LIBRARY

Jean-Pierre Lehmann

Collector’s Birthdate: NA

Lehmann and wife, Chelsea-based art dealer, Rachel, have resided in New York since they moved from Geneva in 1992 and have been dedicated collectors of art for longer than 20 years.

Lehmann’s collection includes early works by Jeff Koons, Matthew Barney, Kara Walker, Jeff Wall and Gabriel Orozco. Notable works of his collection include Gilbert & George’s “Hands up”, Lisa Yuskavage’s “XLP” and Koon’s “Elephant”.

On contemporary artists:

“One of the problems artists today are going to face is that life, in general, is much longer than it used to be. You don’t have artists dying of tuberculosis or alcoholism when they are thirty-five or forty and leaving very interesting works – but very limited quantities, because their lives were limited. Now, most artists will probably live like everybody else until eighty, ninety or one hundred, and if they want to produce until the end, they’ll have problems, because their productive years will be much longer. Probably then you will see the difference between the good and the less good.”

Lindemann, Adam. Collecting Contemporary: Los Angeles, Taschen GmbH 2006.