Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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Andreas Gursky Speaks on His Early Work for The Guardian

January 19th, 2018

Andreas Gursky, via GuardianThe Guardian has an interview with Andreas Gursky this week, detailing the artist’s early experimentations in a photo of Salermo harbor that brought him to realize his most iconic works. “My teachers, the conceptual artists Bernd and Hilla Becher, had told me to avoid photographing with sunlight, blue sky or strong shadows, he says. “But I thought the warm sunlight here made for something quite kitsch. Also, up until this point, human beings had been the focus of my work – but here there were none in sight. Yet I was overwhelmed by what I saw: the complexity of the image, the accumulation of goods, the cars, the containers. I hadn’t been sure the photograph would work. I just felt compelled. It was pure intuition.”
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Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

January 19th, 2018

Tate Britain, via ArtforumTate Britain director Alex Farquharson is interviewed in the Art Newspaper this week, detailing his vision for a major rehang at the museum. “Tate Britain has an exciting role in presenting art in a societal context, both past and present, so it is a question of the stories that we tell,” he says. “I have set out three pillars that inform our curatorial choices and how we communicate them. These are a trio of relationships: art and society, history and the present, and Britain and the world.”
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REFERENCE LIBRARY

Salon 94

Salon 94

12 East 94th Street
New York, NY 10128
Monday-Friday
11am-6pm

T 646.672.9212
F 646.672.9217

Salon 94 Freemans
1 Freeman Alley
New York, NY 10002
Tuesday
1pm-6pm
Wednesday – Saturday
11am-6pm

T 212.529.7400
F 212.529.7401

Salon 94 opened in 2002 as a project space following in the footsteps of the salons of the 17th and 18th century, such as those held by Peggy Guggenheim and Gertrude Stein. In the home of Jeanne Greenburg Rohatyn and Nicolas Rohatyn, this experimental exhibition space offers a refreshing contrast from the archetypal white box gallery. Installations from emerging contemporary artists working with a variety of mediums can be viewed in a furnished residential interior. Salon 94 is a distinctive space with a glass window wall overlooking the Rohatyn’s garden, with a comfortable and intimate atmosphere that encourages visitors to sit and discuss the art they are experiencing. Artists react strongly to the unique aura of the space as well, taking on experimental and large scale endeavors faciliated by the 1,500 square foot ground floor. Some artists even request to show work in the domestic environment upstairs, further blurring the boarder between gallery and home. The mission of Salon 94 is to create an environment tailored to the artist’s needs to foster their growth.

Artist of Note:
Wang Qingsong
Marilyn Minter
Huma Bhaba