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Deceased Artists

Thursday, July 7th, 2011

AO Onsite Auction Results – New York: Christie’s Impressionist & Modern Evening Sale Realizes $156M on May 4, 2011; Monet & Vlaminck are Top Lots

Wednesday, May 4th, 2011

Go See- Zurich: Georges Seurat ‘Figure in Space’ at Kunsthaus Zurich through January 17th, 2010

Monday, November 9th, 2009

BREAKING: Zurich Police find 2 Stolen Paintings

Tuesday, February 19th, 2008

Breaking: Largest Art Theft in Last 20 years occurs in Zurich

Monday, February 11th, 2008

London Auction House Round-Up

Monday, February 4th, 2008

Museum of Modern Art

Tuesday, December 25th, 2007

AO Auction Results – New York: Sotheby’s Impressionist and Modern Evening Sale, November 14th, 2017

Wednesday, November 15th, 2017

AO Auction Preview – London: Impressionist, Modern and Surrealist Sales, February 2nd-3rd, 2016

Tuesday, February 2nd, 2016

AO Auction Recap – London: Christie’s Impressionist and Modern Evening Sale, February 4th, 2015

Thursday, February 5th, 2015

Detroit’s Edsel and Eleanor Ford House Reportedly Sold Cézanne Masterwork for $100 Million

Monday, December 22nd, 2014

Art Review Places Qatar’s Sheika Mayassa bint Hamad Al Thani as Most Powerful Art World Figure

Friday, October 25th, 2013

LA Times Pursues the Path of Several Cézannes from Paris to Washington, D.C.

Tuesday, September 3rd, 2013

AO Auction Results: Sotheby’s Impressionist and Modern Evening Sale, Tuesday May 7th, 2013

Wednesday, May 8th, 2013

AO Auction Preview: Sotheby’s and Christie’s Impressionist and Modern Art Evening Sales, Tonight May 7th and tomorrow May 8th, 2013

Tuesday, May 7th, 2013

New York – AO On Site: Sotheby’s Impressionist & Modern Art Evening Sale Results, Thursday November 8th, 2012

Friday, November 9th, 2012

Doha, Qatar: Takashi Murakami at the Museum of Islamic Art through June 24, 2012

Thursday, March 1st, 2012

AO Auction Preview: Christie's and Sotheby's hold their biggest ever sales of Impressionist and Modern art in London

Monday, June 21st, 2010

Newslinks for Friday January 15th, 2010

Friday, January 15th, 2010

Go See – Lausanne, Switzerland: Cézanne to Rothko at Fondation l’Hermitage, Featuring Braque, Warhol, Ernst, Twombly, Giacometti, Bacon, Renoir, Monet, and more, through October 25, 2009

Tuesday, August 25th, 2009

Go See – Aix-en-Provence, France: 'Picasso/Cézanne' at Musée Granet through September 27, 2009

Sunday, July 26th, 2009

Don't Miss: Women, A Loan Exhibition from the Collection of Steven and Alexandra Cohen at Sotheby's New York, through April 14

Thursday, April 9th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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Andreas Gursky Speaks on His Early Work for The Guardian

January 19th, 2018

Andreas Gursky, via GuardianThe Guardian has an interview with Andreas Gursky this week, detailing the artist’s early experimentations in a photo of Salermo harbor that brought him to realize his most iconic works. “My teachers, the conceptual artists Bernd and Hilla Becher, had told me to avoid photographing with sunlight, blue sky or strong shadows, he says. “But I thought the warm sunlight here made for something quite kitsch. Also, up until this point, human beings had been the focus of my work – but here there were none in sight. Yet I was overwhelmed by what I saw: the complexity of the image, the accumulation of goods, the cars, the containers. I hadn’t been sure the photograph would work. I just felt compelled. It was pure intuition.”
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Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

January 19th, 2018

Tate Britain, via ArtforumTate Britain director Alex Farquharson is interviewed in the Art Newspaper this week, detailing his vision for a major rehang at the museum. “Tate Britain has an exciting role in presenting art in a societal context, both past and present, so it is a question of the stories that we tell,” he says. “I have set out three pillars that inform our curatorial choices and how we communicate them. These are a trio of relationships: art and society, history and the present, and Britain and the world.”
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