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AO On Site Photoset, with link summary – Art Basel Miami Beach 2011: Main Fair Preview and News Summary, Wednesday, November 30, 2011

Thursday, December 1st, 2011

AO On Site (with Photoset) – Paris: FIAC 2011 Opening Day Review, October 21, 2011

Saturday, October 22nd, 2011

AO Onsite – Art Basel Miami Beach 2010 VIP Preview Day News Roundup and Photoset, Wednesday, December 1, 2010

Thursday, December 2nd, 2010

AO On Site; Frieze Round-Up: Frieze Art Fair opens under a persistent recession, but closes much more positively

Tuesday, October 20th, 2009

AO On Site Photoset/Video/News Wrapup: Art Basel Miami Beach Survives in 2008

Wednesday, December 10th, 2008

John Baldessari Interviewed in The Guardian

Tuesday, November 28th, 2017

Go See- New York: Peter Fischli and David Weiss Multi-location exhibit at all three Matthew Marks Galleries through January 16th, 2010

Wednesday, December 16th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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Andreas Gursky Speaks on His Early Work for The Guardian

January 19th, 2018

Andreas Gursky, via GuardianThe Guardian has an interview with Andreas Gursky this week, detailing the artist’s early experimentations in a photo of Salermo harbor that brought him to realize his most iconic works. “My teachers, the conceptual artists Bernd and Hilla Becher, had told me to avoid photographing with sunlight, blue sky or strong shadows, he says. “But I thought the warm sunlight here made for something quite kitsch. Also, up until this point, human beings had been the focus of my work – but here there were none in sight. Yet I was overwhelmed by what I saw: the complexity of the image, the accumulation of goods, the cars, the containers. I hadn’t been sure the photograph would work. I just felt compelled. It was pure intuition.”
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Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

January 19th, 2018

Tate Britain, via ArtforumTate Britain director Alex Farquharson is interviewed in the Art Newspaper this week, detailing his vision for a major rehang at the museum. “Tate Britain has an exciting role in presenting art in a societal context, both past and present, so it is a question of the stories that we tell,” he says. “I have set out three pillars that inform our curatorial choices and how we communicate them. These are a trio of relationships: art and society, history and the present, and Britain and the world.”
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