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AO On Site – London: Frieze London and Frieze Masters Summary and photoset, October 14th, 2012

Sunday, October 14th, 2012

Living Artists

Thursday, July 7th, 2011

AO on site Photoset (2 of 3) – Art Basel 42: Art Basel 2011, The Main Fair

Thursday, June 16th, 2011

AO On Site; Frieze Round-Up: Frieze Art Fair opens under a persistent recession, but closes much more positively

Tuesday, October 20th, 2009

Newslinks for Monday, August 3, 2009

Monday, August 3rd, 2009

Newslinks for Tuesday July 14, 2009

Tuesday, July 14th, 2009

AO On Site Photoset/Video/News Wrapup: Art Basel Miami Beach Survives in 2008

Wednesday, December 10th, 2008

AO On Site: Glass-Half Full @ Miami Art Basel Vernissage Wednesday, Dec 2nd, 2008

Friday, December 5th, 2008

AO ON SITE: URS FISCHER & GAVIN BROWN @ TONY SHAFRAZI GALLERY, MAY 9 – JULY 12, 2008

Monday, May 12th, 2008

NEWSLINKS 03.25.08

Tuesday, March 25th, 2008

Newslinks for week of 9.24.07

Monday, September 24th, 2007

Newslinks for week of 9.3.07

Tuesday, September 4th, 2007
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Jean-Michel Basquiat Work at TEFAF 2017 Revealed as Fake by André Heller

November 3rd, 2022

Musician and artist André Heller fabricated a falsely attributed Jean-Michel Basquiat for sale at TEFAF in 2017, Art News reports. “In retrospect, the whole thing is, firstly, a childish prank. Secondly, it is naturally showing off. And thirdly, it is a stupid mixture of fiction and truth,” he says. “Just a private fairy tale.”
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Monica Bonvicini “Pauses” Representation with König Galerie After Allegations Against Founder

November 3rd, 2022

Monica Bonvicini has “paused” her relationship with König Galerie after sexual harassment allegations broke against its founder, Johann König.
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Oscar yi Hou Profiled in NYT

October 25th, 2022

Artist Oscar yi Hou gets the profile treatment in the New York Times this week, as he opens a show at the Brooklyn Museum. “I think by creating symbolic densities, you’re able to invite the viewer to pay more attention to the works,” he says. “I try to honor the opacity of the subject.”
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