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AO Auction Preview – London: Summer Auctions, June 21st-29th, 2016

Monday, June 20th, 2016

AO Auction Recap – New York: Christie’s Impressionist and Modern Evening Sale, May 12th, 2016

Friday, May 13th, 2016

AO Auction Preview – New York: Spring Auction Week, May 8th – 12th, 2016

Friday, May 6th, 2016

Geneva Freeport Sees Tighter Scrutiny and Reforms

Saturday, April 30th, 2016

New York Times Summarizes Impact of Panama Papers on Art World

Tuesday, April 12th, 2016

Cooling Contemporary Market Doesn’t Stop Surge in Modern Sales, Art Newspaper Notes

Thursday, January 28th, 2016

AO Auction Results – New York: Christie’s “The Artist’s Muse” Curated Sale, November 9th, 2015

Tuesday, November 10th, 2015

AO Auction Recap – New York: Sotheby’s Taubman Masterworks Sale, November 4th, 2015

Wednesday, November 4th, 2015

AO Auction Preview – New York: Impressionist, Modern, Post-War and Contemporary Evening Sales, November 4th-12th, 2015

Wednesday, November 4th, 2015

AO Auction Recap – New York: Christie’s Impressionist and Modern Evening Sale, May 14th, 2015

Thursday, May 14th, 2015

Collection of Late Goldman Sachs Chairman on Sale at Christie’s in New York This May

Thursday, March 19th, 2015

NY Post Details Sales Leading to Arrest of Yves Bouvier

Thursday, March 19th, 2015

AO Auction Recap – London: Christie’s Impressionist and Modern Evening Sale, February 4th, 2015

Thursday, February 5th, 2015

AO Auction Preview – London: Impressionist and Modern Evening Sales, February 3rd and 4th, 2015

Monday, February 2nd, 2015

Marc Restellini to Open Singapore Location of his Pinacothèque Museum

Monday, January 26th, 2015

AO Auction Recap – New York: Sotheby’s Impressionist and Modern Art Evening Sale, November 4th, 2014

Wednesday, November 5th, 2014

New York – Impressionist and Modern Art Evening Sales, November 4th and 5th, 2014

Monday, November 3rd, 2014

Paris Steps Into New Role in International Art Market

Sunday, December 29th, 2013

AO – Auction Results: Christie’s Impressionist & Modern Art Evening Sale, November 5, 2013

Wednesday, November 6th, 2013

AO – Auction Preview: Impressionist and Modern Art Evening Sales at Christie’s and Sotheby’s, November 5th & 6th, 2013

Tuesday, November 5th, 2013

AO Auction Results – Modern and Impressionist Evening Auctions in London, June 18th-19th, 2013

Friday, June 21st, 2013

AO – Auction Results: Christie’s Impressionist and Modern Art Evening Sale, Wednesday, May 8th, 2013

Thursday, May 9th, 2013

AO Auction Results: Sotheby’s Impressionist and Modern Evening Sale, Tuesday May 7th, 2013

Wednesday, May 8th, 2013

AO Auction Preview: Sotheby’s and Christie’s Impressionist and Modern Art Evening Sales, Tonight May 7th and tomorrow May 8th, 2013

Tuesday, May 7th, 2013
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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