Search Results

Friday, March 9th, 2012

AO On Site Photoset, with link summary – Art Basel Miami Beach 2011: Main Fair Preview and News Summary, Wednesday, November 30, 2011

Thursday, December 1st, 2011

AO On Site Art Basel Miami Beach 2011 – AO’s selected preview, guide, and news summary to the 10th Anniversary Art Basel Miami Beach Art Fair and associated events

Monday, November 28th, 2011

AO On Site – London: Ryan Gander Locked Room Scenario through October 23, 2011

Friday, October 7th, 2011

Living Artists

Thursday, July 7th, 2011

Don't Miss – New York: Andrew Kuo "My List Of Demands" at Taxter & Spengemann, Through April 30th, 2011

Monday, April 25th, 2011

Art Fair Preview, news summary and schedule: The Armory Show and Armory Week 2011 Begins in New York City

Tuesday, March 1st, 2011

AO On Site – London (with newslink summary): Frieze Art Fair 2010 opens to relatively brisk buying from still measured collectors

Thursday, October 14th, 2010

AO Auction Results: Christie’s sale of Artwork and Ephemera from Lehman Brothers fetches a further $2.6 million for the collapsed bank’s creditors in London, September 29th, 2010

Wednesday, September 29th, 2010

Go See – Stockholm: “Thrice Upon A Time” at Magasin 3 Konsthall, through December 12, 2010

Thursday, September 16th, 2010

AO On Site – Art Basel, Switzerland: Art 41 Basel 2010 opens today

Monday, June 14th, 2010

AO Onsite: BOMB Magazine’s 29th Anniversary Gala & Silent Auction at the National Arts Club, New York – Tuesday, April 27, 2010

Wednesday, April 28th, 2010

AO Onsite – Art Basel Miami Beach 2009 Round- up – “A lot less ornament and a lot more substance”

Monday, December 7th, 2009

Newslinks for Monday, November 16th, 2009

Monday, November 16th, 2009

Go see – Boston: ‘Damian Ortega: Do It Yourself’ at the Institute of Contemporary Art through Jan 18, 2010

Wednesday, October 21st, 2009

Jean-Pierre Lehmann

Tuesday, December 25th, 2007

Museum of Contemporary Art San Diego

Tuesday, December 25th, 2007

AO On Site Photoset – Art Basel Miami Beach 2011: Main Fair Overall Summary, December 1-4, 2011

Tuesday, December 6th, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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