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Met Issues Statement on US Withdrawal from Unesco

October 17th, 2017

Met Museum, via Art DailyThe Met has issued a statement in protest against the U.S.’s decision to pull out of Unesco, claiming the decision will have disastrous effects on the country. “President Trump’s decision to withdraw from UNESCO undermines the historic role of the United States as a leader in this effort and weakens our position as a strong advocate for cultural preservation,” the statement reads.
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Russian Performance Artist Sets Fire to Doors of Bank of France

October 17th, 2017

Pavlensky in front of the Bank, via Art NewspaperRussian performance artist Pyotr Pavlensky set fire to an entrance of Bank of France in Paris over the weekend, continuing a series of confrontational performances that have seen him imprisoned multiple times in Russia.  Pavlensky was quickly detained by French police. 
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Ai Weiwei Opens Major Project in New York

October 16th, 2017

Ai Weiwei, via NYTAi Weiwei’s landmark public art project Good Fences Make Good Neighbors has opened in New York, with massive fence sculptures erected across New York. “New York is a city I spent 10 years in,” Ai says of his history with the city. “I was quite hesitant [to do a project here] because I love [New York] so much, it’s not easy for me to just put a simple sculpture in the city … I had to do something to pay back my respect, my love.”
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REFERENCE LIBRARY

Sperone Westwater

Sperone Westwater
415 West 13 Street
New York, NY 10014
USA

T +1 212 999-7337
F +1 212 999-7338

Tuesday – Saturday 10 am – 6 pm

info@speronewestwater.com

Sperone Westwater Fischer was founded in 1975, when Italian art dealer Gian Enzo Sperone, Angela Westwater, and German art dealer Konrad Fischer opened a space at 142 Greene Street in SoHo, New York. (The gallery’s name was changed to Sperone Westwater in 1982.) The original goal of the gallery was to showcase European artists who had little or no recognition in the United States, along with a collection of American painters and sculptors to whom the three founders were committed. Notable early exhibitions include “Aspects of Recent Art from Europe,” a 1977 group show featuring important work by Joseph Beuys and Jannis Kounellis; a 1977 exhibition of minimalist works by Carl Andre, Dan Flavin, Donald Judd, and Sol Lewitt; German artist Gerhard Richter’s first solo exhibition in New York in 1978; and the installation of one of Mario Merz’s celebrated glass and neon igloos in 1979 – part of the gallery’s ongoing dedication to Arte Povera artists, including Alighiero Boetti. Other early historical exhibitions in the Greene Street space featured the work of Lucio Fontana and Piero Manzoni.

In 2002, Sperone Westwater moved from SoHo to a 10,000 square foot space on West 13th Street in the Meatpacking District. Today, almost 35 years after its conception, the gallery continues to exhibit the work of prominent artists of diverse nationality and age, who work in various media. Renowned American artists Bruce Nauman and Susan Rothenberg have been with Sperone Westwater since 1975 and 1987, respectively. They are joined by established and internationally-recognized artists such as Malcolm Morley, Richard Long, Guillermo Kuitca, Evan Penny and William Wegman as well as a younger generation of artists like Tom Sachs, Charles LeDray, Wim Delvoye and Liu Ye. The gallery’s 2008-2009 exhibition schedule includes two major group shows, “Sculpting Time” and “ZERO in New York”, and solo presentations of work by Evan Penny, Susan Rothenberg and Bertozzi & Casoni. Also in 2009 Bruce Nauman will represent the United States of America at the Venice Biennale in an exhibition organized by the Philadelphia Museum of Art.