AO On Site – New York: André Saraiva’s “Andrépolis” and Portrait of a Generation double show at The Hole from June 7 to August 10, 2012

Friday, June 8th, 2012


André Saraiva posing with work

Starting with the opening last night, for the next two months The Hole in New York will feature two shows in its gallery space, André Saraiva‘s “Andrépolis” and  “Portrait of a Generation”.


Portrait of Rita Ackermann

Photos for Art Observed by Charles Shoener, Zoe Zabor, and Lisa Marsova

(more…)

AO On Site Photoset – New York: OHWOW gallery + Downtown for Democracy at the top of The Standard Hotel, Tuesday May 1, 2012

Wednesday, May 2nd, 2012


Aurel Schmidt

Downtown for Democracy and OHWOW have teamed up for a new book, The Pocket Guide to Politics. Providing an approachable entry point to politics for the average citizen, last night’s launch party took place in the Standard Hotel’s Boom Boom Room in New York. Aaron Bondaroff of OHWOW welcomed art world figures like Aurel Schmidt, André Saraiva, Terry Richardson, Bill Powers, Dustin Yellin, and Peter Coffin, while Donald Cummings of the Virgins played a piano tune, Kilo Kish rapped on the bar, and Nate Lowman DJed throughout the night.

(more…)

AO On Site with Video Interview – New York: André Saraiva ‘Love Letters’ at Half Gallery through March 3, 2012

Tuesday, February 21st, 2012


All photos on site for Art Observed by Elene Damenia.

French graffitist and clubster André Saraiva has set up shop inside Half Gallery for his first solo New York exhibition, having also shown at Colette, Palais de Tokyo, and Air de Paris. Bright yellow French letter boxes tagged with Saraiva’s signature “Mr. A” smiling face line one wall, love letters and colorful drawings cover the other in a loose salon style. The letter boxes were first painted in the streets of Paris—from whence they were shipped—with the artist making a few re-touches to the six boxes chosen for the New York show; Saraiva had attempted to paint every box he could there. The letters are “a somewhat anachronistic celebration of communication so closely tied to the romantic,” says the press release; watercolors of nostalgic letters impart the artist’s poetic side, some quoting Jacques Prévert or Henry Miller. Alternatively, dollar bill-based works elicit sex more graphically, one scripted, “In Pussy We Trust,” replacing George Washington’s center placement accordingly. Art Observed was fortunate enough to speak with Saraiva and gallerist Bill Powers in the following interview before the small Forsyth Street gallery earned a waiting line outside, Powers forced to turn away an additional news crew for lack of arm room.

(more…)