Carol Bove, Hieroglyph (2013), via Daniel Creahan for Art Observed

There’s an interesting approach to spatial relations that runs through most of Carol Bove’s body of work, almost always insisting on an awareness of the exhibition space, and how this space connects with the sculptural works that fill it.  For her newest show of works at Maccarone in the West Village, Bove continues this trend, running a number of enormous shell girders through that space, always appearing as if they had intentionally been placed there as part of the space’s construction.

Carol Bove, RA, or Why is an orange like a bell? (Installation View), via Daniel Creahan for Art Observed (more…)