The Financial Times writes on trends towards collectives, collaboration and cooperation in the contemporary art world, examining the practice of the Triangle Network, White Columns and How to Work Together, a recent project which challenges various fine artists to work in collaboration to respond in ways as to how artists may operate collectively.  “We have been very open that this has been a challenging process,” says Polly Staple of Chisenhale Gallery, who helped earn funding for the new project. “It took us six months just to come up with a Memorandum of Understanding.” (more…)