The New Yorker’s Peter Schjeldahl offers his take on the “fearful frenzy” of the art market this week, and the ominous notes that the current focus on the market by the über-wealthy strike.  “Alongside global prosperity has come a lot more political instability, and it’s in the interests of the social elite to keep their options open as to where they relocate,” he quotes from Artnet’s J.J. Charlesworth. (more…)

A new Internet program called Touching the Art has premiered on the Ovation Youtube channel.  Hosted by Casey Jane Ellison, the show takes an irreverent tack on discussing and analyzing the mechanisms and trends of the contemporary art world, with a sense of humor much akin to Hennessy Youngman’s Art Thoughtz.  “Is art somehow better because the person who starred in Transformers made it?” Ellison asks in one segment. (more…)

Wim Delvoye, Oeuvres Choisies (1988-2011) (Installation View), via Galerie Guy Bartschi

This month, Galerie Guy Bärtschi in Geneva, Switzerland presented a solo show of works by Belgian neo-conceptual artist Wim Delvoye, running through March 15th, 2013.  Exploring a broad selection of the artist’s work, from his bold reinterpretations of classical symbolism to more contemporary iconography and satire, the show illustrated Delvoye’s broad practice, as applied towards the analysis of meaning and value in contemporary and classical art.

Wim Delvoye, Viae Crucis – Station XIV. Jesus Is Laid In The Tomb (2006), via Galerie Guy Bartschi (more…)