A thorough forensic study dating Francisco Goya’s private series “Witches and Old Women” has resulted in an exhibition at the Courtauld Gallery in London, showing the works in chronological order for the first time.  “His work is all about capturing that human spark,” says Goya scholar Juliet Wilson-Bareau.  “From his youth onwards, he observed everything that life had to offer. He was utterly fascinated by the human animal form from the word go.” (more…)

The New York Times reports that MoMA and the Andy Warhol Museum have partnered in order to digitize Andy Warhol‘s film works. During his career, Warhol used a 16-milliliter film camera to shoot over 600 films such as the famous “Screen Tests” series, the  feature length film “Chelsea Girls”, and “Empire”, an eight-hour long single shot of the Empire State Building. Despite Warhol’s prolificacy, only a small portion of the films have been available to the public through the MoMA and online. This new partnership hopes both to preserve the fragility of the film and to expose the public to a lesser-known facet of the artist’s well-publicized career.  (more…)

The Atlantic documents a conservation approach pioneered in the 1980’s by Raymond Lafontaine, using color and lighting theory to hide fading and prevent having to tamper with the surface of the work.  “In human color perception you have a light source, a surface, and a viewer, and the three interact,” says Jens Stenger, a conservation scientist who is using the technique to work on six murals by Mark Rothko at Harvard.  “If you can’t change the surface, you can change the light source to change the color.” (more…)

More than 100 conservators have volunteered to aid in the restoration of the Glasgow School of Art building destroyed by fire late last week, coming from across the UK and abroad to answer a call for help from the school.  “We have people offering to source freezers, drying facilities and secure storage for collections,” Alison Richmond of Conservation Organization Icon adding that some volunteers are familiar with the building and its collection. “We have this small army of expert helpers and are standing by.” (more…)

A new venture by the San Francisco Museum of Modern Art is looking to launch a new examination of conservation in technology, part of a Andrew W. Mellon Foundation-funded project called The Artist’s Initative.  Examining technological leaps in design, tech and the work of various artists that drive these media forward, the project will embrace a broad series of concerns facing the modern museum.  (more…)

The Getty Conservation Institute in Los Angeles is nearing completion on a yearlong restoration of Jackson Pollack’s Mural.  Using new technologies and approaches on the $140 million work, the work has been analyzed by a series of noninvasive x-rays and other approaches to determine not only the original composition of the work, but also other efforts in doctoring or restoring the work in the past.  “From the chemical composition and buildup of paints, we are unlocking evidence of Pollock’s creative process, his choice of materials, and any alterations through time,” says conservation analyst Alan Phenix. (more…)

Actor Leonardo DiCaprio’s charity foundation held a charity auction this week at Christie’s, in New York, realizing a staggering $38.5 Million in sales, and surging past estimates of $13-18 Million.  Benefitting several conservation projects for endangered species around the world, the auction allowed money paid over the estimated value to be counted as a tax deductible contribution, encouraging rampant spending that set impressive auction records for artists Rob Pruitt, Robert Longo, Mark Grotjahn, and several others.  As DiCaprio said before the event began: “bid as if the fate of the planet depends on us.”  (more…)

The Museum of Modern Art has announced that it will partner with architectural firm Diller Scofidio + Renfro to reevaluate the expansion plan that threatens to destroy the former home of the American Folk Art Museum.  In a statement, released yesterday, MoMA said: “The principals of Diller Scofidio + Renfro have asked that they be given the time and latitude to carefully consider the entirety of the site, including the former American Folk Art Museum building, in devising an architectural solution to the inherent challenges of the project. We readily agreed to consider a range of options, and look forward to seeing their results.” (more…)