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Brooklyn, New York – Daniel Turner at The Journal Gallery West Through November 25th, 2012

Saturday, November 10th, 2012


Daniel Turner – Installation View (2012) courtesy Journal Gallery West

New York-based artist Daniel Turner creates installations at the nexus of the organic and synthetic, a quirky combination of elements that underlines the environmental interactions of man and nature, and resultant breakdowns in symbol and understanding which results from their increasing distance.  As part of the first show at The Journal Gallery’s new location in Brooklyn, Turner is exhibiting two recent works exploring the complex interactions of objects and environments created by man’s bizarre contemporary relationship to science, chemistry, consumption and natural processes.

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AO On Site – New York: “Bulletin Boards” at Venus Over Manhattan curated by Matthew Higgs of White Columns and featuring works by Rita Ackermann, Adam McEwen, Nate Lowman, Gavin Brown and others through August 24, 2012

Tuesday, August 14th, 2012


Nate Lowman, Bulletin Board (2012) via Venus Over Manhattan

“Bulletin Boards” at Venus Over Manhattan, collector Adam Lindemann’s new uptown gallery, is the product of a collaboration with White Columns, the downtown alternative art space directed by Matthew Higgs. On the heels of Venus Over Manhattan’s heady, decadent “Á rebours” inaugural show, which resulted in the sensational Dalí art theft, “Bulletin Boards brings a notably more experimental endeavor to the space’s industrial walls. The exhibition is modeled on a curatorial project that Higgs debuted ten years ago at the California College of Arts, in which a glazed aluminum bulletin board purchased from an office supply store would become a “project space” for invited artists such as Trisha Donnelly and Carter. In this show’s press release, Higgs states that “the project sought to gently subvert the typical function of a bulletin board, replacing the anticipated pertinent or useful information typically found in such places with something that approximated ‘art’.” In the project’s current manifestation, a selected group of artists and curators were invited to envision their own bulletin boards, resulting in the twenty-five works currently on display. Born from the same conceptual and material conditions presented by the constant of the bulletin board, the final works spring from the different variables employed by the individual artist and curators, resulting in a diverse assortment of ideas and aesthetics that multifariously engage, entertain, and confront the viewer.

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