The Cincinnati Art Museum has announced that Cameron Kitchin will become the museum’s new director on October 1st. A graduate of Harvard University and William & Mary, Kitchin has directed museums for the last twelve years, including six years at the Brooks Museum of Art in Memphis. As director of the Cincinnati Art Museum, Kitchin will oversee a collection that includes works by Édouard Manet, Pablo Picasso, and Edward Hopper. (more…)

August 4th will see New York City’s billboards, subways, newsstands, and more inundated with major works of art, including pieces by Edward Hopper, Andy Warhol, and Chuck Close, as part of Art Everywhere U.S.. This new campaign is the product of a collaboration between the Outdoor Advertising Association of America and five American museums which will result in 58 works of American art being displayed on over 50,000 sites across the country. The campaign hopes to recreate the success of Art Everywhere U.K., a similar movement that launched last year, and spread the importance of American art and artists to a greater number of viewers.

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The Whitney Museum has loaned a pair of Cape Cod landscapes by Edward Hopper to the White House, where they have been installed in the Oval Office.  “We are pleased and honored to lend two paintings by Edward Hopper—the artist with whom the Whitney Museum of American Art is most closely identified—to The White House for display in the Oval Office,” said Director Adam D. Weinberg. “We hope these beautiful Cape Cod landscapes will give great pleasure to President Obama and to all who see them.”  (more…)

The Pennsylvania Academy of the Fine Arts in Philadelphia has announced its intent to sell East Wind Over Weehawken, a 1934 canvas by Edward Hopper, to raise funds for the purchase of new, contemporary works for its museum.  The sale, set for Christie’s December auction, is estimated to earn between $22 and $28 million, marks a return to the museum’s tradition of buying contemporary art.  Harry Philbrick, the museum’s director, remarks:  “We had a very strong tradition of doing that until the 1950s when we pulled back.  In recent years, we have been trying to be more active.” (more…)

A group of friends in the Canadian province of Ontario are convinced that a painting they purchased on eBay for $585 is actually a work by American master Edward Hopper.  The group of Canadians, who had previously made money buying and reselling paintings online, have spent over six years and $40,000 to try and authenticate the work, and are currently waiting for approval from a leading Hopper expert.  The work is of particular note, as it bears a strong resemblance to Hopper’s High Noon, questioning whether this disputed piece may have been a study or forgery. (more…)

Edward Hopper, Study for Nighthawks, (1941 or 1942), via The Whitney

An Edward Hopper painting inevitably leads the viewer to contemplation of the meaning and purpose of the simple and mundane moments that make up the majority of our lives. His scenes depict the usual, the all-too-familiar, and even the occasional melancholy moments of existence.  Empty gas stations, coffee shops, movie theaters, and bedrooms communicate the paradoxical isolation of American society;  while many of the inhabitants are depicted in social settings, in crowds or social establishments, they convey overwhelming feelings of remorse, isolation and resignation. Through his brushstrokes and pencil marks, Hopper provides a commentary on the American life of mid-20^th century, a commentary that is in many cases still applicable to the America of today.

Edward Hopper, Nighthawks, (1942), via The Whitney (more…)

New York Magazine has published a thorough analysis of the inspirations behind Edward Hopper’s iconic painting, Nighthawks.  Scouring the artist’s former midtown haunts, the article traces influences from the Flatiron Building’s curved window display to the storefronts of Greenwich avenue.  “People want to find the real diner, but Hopper was a synthesizer,” says Carter Foster, the Whitney Museum curator who is preparing to open “Hopper Drawing,” a new show examining the artist’s creative practice. (more…)

Vik Muniz, Pictures of Magazine 2 (Installation View), via Galeria Elba Benítez

Currently on view at Galeria Elba Benítez in Madrid, Pictures of Magazine 2 is a solo show for Brazilian artist Vik Muniz.  The works in this exhibition are created using Muniz’s unique collage process, combining magazine images to recreate the works of famous artists, all while incorporating his own artistic bent. He then takes photographs of his finished collages, enlarges them, and prints them to create the finished piece. (more…)

‬The New York Times Magazine compares paintings of Edward Hopper, on what would have been his 130th Birthday, to photos of the original houses that inspired the works. “We know it’s time to put up the awnings each year when we’re eating on the porch and we turn around and see a big tour group watching us eat dinner.” Greta Bagshaw, an owner of the “Mansard Roof” home says.

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Edward Hopper’s 1935 painting The Long Leg to become a US Postage Stamp [AO Newslink]

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Edward Hopper, Seven A.M., 1948. All images via the Whitney.

Modern Life: Edward Hopper and His Time, which opened last month at the Whitney Museum, presents roughly 85 works by the artist and his most immediate American contemporaries. Tracing Hopper’s singular vision of American realism over more than six decades, the exhibition stages a selection of paintings from their permanent collection (with several exceptions) in the context of works by members of the Ashcan school, the Precisionists, Social Realists, and others who examined modern urban and rural life in the first half of the twentieth century. Through comparisons of Hopper’s formal approach and social interests with those of the artists working nearest to him, the show reveals both conceptual intersections and stylistic distinctions between it’s titular master and his diverse peer group.

Edward Hopper, Early Sunday Morning, 1930.

More story and images after the jump…

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Installation View  All photographs are via Gagosian Gallery unless otherwise noted

Currently on view at Gagosian Gallery, 6-24 Britannia street, London is the exhibition titled “Crash, Homage to J.G. Ballard” , a group show dedicated, as the name suggests, to the oeuvre of J.D. Ballard, a prominent British novelist and short-story writer, a representative of the New Wave movement in science fiction.  The exhibition was put together to pay tribute to the enormous cultural influence of J.D. Ballard’s fiction on many visual artists. The impressive selection of works by  such prominent artists as Ed Ruscha, Richard Hamilton, AndyWarhol and Helmut Newton illustrates profound engagement of the writer with the works of visual artists of his generation and their mutual influence.

More images and related links after the jump….
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Damien Hirst’s ‘For the Love of God’ via Artinfo

Ukrainian collector Viktor Pinchuk, who is currently hosting Damien Hirst’s retrospective in Kiev, is revealed as the fourth stakeholder in the artist’s platinum, diamond-encrusted skull, which has yet to sell despite a £35 million offer from Alberto Mugrabi [The Art Newspaper]
in related, Fiats decorated by Hirst have had little problem selling at a London charity auction [Art Review]
Two proposed tax-free ports in Paris and Singapore aim to revolutionize international art handling [NY Times]

Roxy Paine with one of his ‘Dendroid’ sculptures via Artinfo

National Gallery of Art commissions a Roxy Paine ‘Dendroid’ sculpture [National Gallery of Art via Artnet]
Art Basel’s Marc Spiegler says that now is an essential time for collectors to buy work from galleries to support artists and local art scenes [ArtInfo]
In conjunction with Saatchi, the Times lists top 200 artists of the 20th century with Picasso and early Modernists at the front [TimesUK]
Three arts professionals describe how they collect for their own homes [Financial Times]

Sam Francis, Grey, the subject of an auction dispute at Christie’s

Shipping magnate Gregory Callimanopulos appealing court decision in auction dispute with Christie’s and Broad Art Foundation over Sam Francis’ ‘Grey’ [ArtForum]
Art during the Nazi regime: Van Meegeren and Göring, forgery and thievery [New York Times]
Unusual Renoir painting recovered in Venice 25 years after it was stolen [Artinfo]

Edward Hopper, Rooms by the Sea, recently acquired by Yale University. via ArtDaily

Yale University counter-sued over Van Gogh painting ‘The Night Café,’ seized during the Communist takeover of Russia [Bloomberg.com].
In related, Yale University Art Gallery acquires Edward Hopper preparatory drawings ‘Rooms by the Sea’ and ‘Western Motel and the Study’ [ArtDaily]
Young collectors pooling resources and sharing art [Financial Times]

Pablo Picasso’s Homme à l’épée for sale in London. via The Telegraph.

€7 – 10 millionv notebook of Picasso sketches discovered stolen from the Picasso museum in Paris [ArtDaily]
and in related, two ‘Musketeer’ paintings by the artist to be auctioned at Christie’s and Sotheby’s, respectively [The TelegraphUK]
As early as 2010, the Louvre may be at risk financially, despite a wave of acquisitions totaling an estimated  €38 million [NYTimes]

Andreas Gursky’s ‘James Bond Island III’ via FOTO8

An interview of Andreas Gursky in which he speaks of scaling down his monumental prints, the influence Bernd and Hilla Becher, and working with North Korea [FOTO8]
Vito Acconci closes his studio, citing cash flow troubles [The Architect’s Newspaper via ArtInfo]

Massimiliano Gioni navigates Venice during the Biennale opening via NY Times

Following curator and critic Massimiliano Gioni and his various party obligations at the Venice Biennale [NY Times]
Points on whether or not the recession is indeed good for art [GuardianUK]
Gagosian has hired Richard Meier to double the space in his Los Angeles Gallery [The Art Newspaper]

62 Imlay Street in Red Hook, Brooklyn, recently leased by Christie’s for storage

Christie’s leases a building for storage in Red Hook, in what is likely one of the largest real estate deals in Brooklyn this year [Brownstoner]
A guide to investing in contemporary art in current market conditions [NY Times]
Sotheby’s London Russian Art Evening Sale totals £7.9m with 17 of 28 lots sold [Art Market Monitor]

Video of Banksy’s exhibition in Bristol via BBC

Banksy secretly sets up exhibition in Bristol museum [BBC]
Beginning June 16, 2009 the Metropolitan Museum of Art will display ‘The Torment of Saint Anthony,’ now widely believed to be Michelangelo’s first painting, before it goes to its new home at Kimball Museum in Texas [ArtDaily]

Picasso’s Château de Vauvenargues via Artinfo

Picasso’s Château will open to the public this summer [Artinfo]
Billionaire collector Eli broad contends that the downturn in the art market has bottomed [Bloomberg]
Christie’s similarly calls a leveling off of the art market’s downshift [Reuters]