Global contemporary art events and news observed from New York City. Suggestion? Email us.

AO on Site: SculptureCenter’s Lucky Draw Spring Benefit 2011

Friday, April 22nd, 2011


The audience at SculptureCenter’s Lucky Draw 2011. All images courtesy of SculptureCenter.

Last Wednesday, Art Observed was on site at SculptureCenter’s Lucky Draw in Long Island City. Of the events in New York’s spring benefit circuit, Lucky Draw stands out for its rapid paced, chance-dependent operation that lends the event an element of excitement and guarantees that each ticket holder brings home a piece of art. Even though the auction format gala keeps it casual by omitting a formal dinner or seating order, anticipation leads up to a quick raffle draw that replaces the traditional art world bidding process. Every ticket purchased guarantees the lucky philanthropist a piece of art as decided by the raffle’s random draw and not the highest bidder. However, SculptureCenter knows the anxious collector’s soul and lets the event begin with a traditional search for the three highest bidders, who are then allowed to bypass fate and pick the first three works of art.

SculptureCenter volunteer carrying an Olaf Breuning piece 

More images and text after the jump… (more…)

Columbia University MFA Show: Growing Pains

Thursday, May 10th, 2007

With a cluttered presentation sprawled over two floors of Midtown space, the Columbia University MFA show comes across as energetic, adventurous, but undeniably student-y work; heck, at times it’s slightly muddled, unfinished, and, yes, even downright messy. Who’d ever have thought this would amount to a good thing? But, I must admit, it was all surprisingly refreshing. Over the last couple of years, Columbia has consistently met the challenge of its increasingly high profile, pumping out art stars in the making with graduate presentations as smoothed and polished as anything Chelsea might throw at you. Last year’s class’ offering in Dumbo was no exception: a cavernous space, filled with pristine pieces, thoughtfully arranged into a compelling exhibition which gave the Whitney Biennial “Day for Night” (on view at the same time) more than a run for its money. As expected, a new set of rising stars was ushered in, such as Tamy Ben-Tor and Julieta Aranda, who have already garnered pretty major accolades (and with good cause). (more…)