Martin Kippenberger, Untitled (from the series Raft of the Medusa) (1996), Art Observed

One of the last series of work from Martin Kippenberger, The Raft of the Medusa is nothing if not impressive.  Taking the dramatic tableau of Theodore Géricault’s 19th century work as his inspiration, the artist threw himself body and soul into this series of paintings, drawings, photographs, and even a single tapestry, turning his own body into the fuel for a powerful engagement with the destruction and pathos of the original work.  It’s this inspiration that sits at the center of Skarstedt Gallery’s current show of the series of works, compiling Kippenberger’s sketches and photographs alongside his series of visceral, energetic canvases, which served as the apex of his work in the series.  

Martin Kippenberger, Untitled (from the series Raft of the Medusa) (1996), via Art Observed (more…)

Thomas Schütte, United Enemies (2011), courtesy Fondation Beyeler

At Fondation Beyeler in Basel, Switzerland through February 2nd is an exhibition displaying sculptural works of human figure, created by German artist Thomas Schütte. Made from a wide variety of materials, including steel and aluminum, bronze, modeling clay, ceramic, wood, and glass, and are placed throughout the museum as well as outside in the gardens surrounding the institution.

Thomas Schütte, Walser’s Wife (2011), courtesy Fondation Beyeler (more…)