With a cluttered presentation sprawled over two floors of Midtown space, the Columbia University MFA show comes across as energetic, adventurous, but undeniably student-y work; heck, at times it’s slightly muddled, unfinished, and, yes, even downright messy. Who’d ever have thought this would amount to a good thing? But, I must admit, it was all surprisingly refreshing. Over the last couple of years, Columbia has consistently met the challenge of its increasingly high profile, pumping out art stars in the making with graduate presentations as smoothed and polished as anything Chelsea might throw at you. Last year’s class’ offering in Dumbo was no exception: a cavernous space, filled with pristine pieces, thoughtfully arranged into a compelling exhibition which gave the Whitney Biennial “Day for Night” (on view at the same time) more than a run for its money. As expected, a new set of rising stars was ushered in, such as Tamy Ben-Tor and Julieta Aranda, who have already garnered pretty major accolades (and with good cause). (more…)

via Maccarone

Much like its title, Corey McCorkle’s current show initially strikes one as cryptic. Sparingly, he scatters a series of remnants across Maccarone’s cavernous West Village space: one room contains architectural photographs of an abandoned zoo, in the adjacent one, a looping video projects images of wild dogs roaming the overgrowth, and around the corner, down a narrow hallway, we come to a mirrored passageway that funnels to a point and creates endless, dizzying reflections. The overall effect is oblique but somehow uncanny, as abandonment haunts these commonplace sites, transforming them into pseudo-romantic ruins: the empty cages, the barren fields, the howling of dogs. And as the sense of desolation grows, so does the show’s subtle but insightful effect. (more…)