Basel – “Kandinsky, Marc and Der Blaue Reiter” at Fondation Beyeler Through January 22nd, 2017
Friday, September 16th, 2016
Wassily Kandinsky, Improvisation 10 (1910), via Fondation Beyeler
In terms of the various rejections of painterly convention that defined the early decades of the 20th Century, few schools of thought left the same lasting imprint on the act of painting as “Der Blaue Reiter” (The Blue Rider). The internationally distributed group of artists, Wassily Kandinsky and Franz Marc chief among them, were early entries in the varied schools of thought and practice that sought to change the aesthetic and political energies of their craft through a combination of dynamic invention in their craft, and iconoclastic, ideological fervor in their writing and organization. Making the case for a practice divorced from rote representation, the pair of artists instead relied on color and line themselves, affording these essential elements a much broader range of expressive capacity and spiritual evocativeness that would ultimately pave the way for much of the century’s adventures into abstraction.

Wassily Kandinsky, Murnau—Obermarkt with Mountains (1908), via Fondation Beyeler



