Guillermo Kuitca in front of his work at The Drawing Center, photo by H. Hannig for ArtObserved

Argentinian painter Guillermo Kuitca has, for the past several decades, continued to explore the visual aesthetic of organization, the varied architectural and illustrative lines at the heart of the maps, floor plans and aerial views, abstracting these images into his own personal artistic language.  The record becomes a personal interpretation, and vice versa.

Guillermo Kuitca at The Drawing Center photo by Cathy Carver

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The Drawing Center is set to open next week with a postponment date of Wednesday November 7th in its new space across the street at 35 Wooster with three shows: Guillermo Kuitca: Diarios, José António Suárez Londoño: The Yearbooks and In Deed: Certificates of Authenticity in Art. (more…)

Exterior View of Sperone Westwater, 257 Bowery, NYC, image courtesy of Dezeen.

Sperone Westwater opened the doors of its new gallery space on Wednesday, September 22nd, 2010. A retrospective of Guillermo Kuitca’s work was chosen as the Bowery location’s inaugural show. The gallery has a longstanding relationship with the Argentinean artist, whose work is inspired by the study of architecture, theater, and cartography. This is his eighth solo show at Sperone Westwater. “Guillermo Kuitca: Paintings 2008-2010 & Le Sacre 1992” consists of recent paintings, which developed from his famous 2007 series with which he represented Argentina at the Venice Biennale, and the important 1992 installation Le Sacre.

More images and text after the jump…

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