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Go See – New York: Arp/Brancusi Show at Mitchell-Innes & Nash Gallery through May 6th, 2011

Thursday, April 14th, 2011


Installation view via Mitchell-Innes & Nash Gallery

Mitchell-Innes & Nash Gallery recently opened an untitled exhibition showcasing various sculptures by two of the prime examples  of modernism and three-dimensional abstraction: Jean Arp and Constantin Brancusi. Considered to be of differing artistic generations, these two artists followed two seemingly diverging paths. However, similar styles and a shared proclivity for “abstracted, somewhat amorphous forms relating to the natural world” (via Mitchell-Innes & Nash Gallery Press Release) have led to a union of the works, offering a fresh perspective. The show features various reliefs painted by Arp, and carvings in wood, bronze and marble by both artists.

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Don’t Miss – New York: Alexander Calder at Gagosian Gallery, West 21st Street, through April 10 2010

Tuesday, April 6th, 2010


Five Points/Triangles by Alexander Calder, 1957
All images via Gagosian Gallery unless otherwise noted

Currently on view at Gagosian Gallery, New York is an exhibition of the large-format sculptures of Alexander Calder, produced between 1957 and 1970. The exhibition pays tribute to the late oeuvre of this renowned American sculptor, illuminating the period when Calder almost exclusively dedicated himself to sculpture of monumental proportions – the genre that brought him the international acclaim.

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Don’t Miss – Middlesbrough, UK: Ellsworth Kelly at Middlesbrough Institute of Modern Art through February 21, 2010

Monday, February 15th, 2010


Untitled, Ellsworth Kelly (1959) via Middlesbrough Institute of Modern Art

Currently showing at the Middlesbrough Institute of Modern Art, England are a selection of early, unseen drawings by one of the most influential American artists of the 20th century – Ellsworth Kelly. Executed by Kelly between 1954 and 1962, the drawings have traveled to Middlesbrough directly from the artist’s New York studio where they have been hidden for more than 50 years. The 23 works are all studies for larger pieces and have been presented now, for the first time ever, to illustrate an important period in the artist’s career during which he pioneered his much-admired abstract style that has been integral to the evolution post-war American art.

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