Global contemporary art events and news observed from New York City. Suggestion? Email us.

Paris – Korakrit Arunanondchai: “Painting with History in a room filled with people with funny names 3” at Palais de Tokyo Through September 13th, 2015

Saturday, August 8th, 2015

Korakrit Arunanondchai, Painting with history in a room filled with people with funny names 3 (2015), all photos by D. Mookherjee for Art Observed
Korakrit Arunanondchai, Painting with history in a room filled with people with funny names 3 (2015), all photos by D. Mookherjee for Art Observed

Painting with History in a room filled with people with Funny Names 3 is a monographic exhibition displayed at the Palais de Tokyo, in Paris, presented by Thai artist Korakrit Arunanondchai, and concluding a series of works started in 2011. The exhibition gathers performances, installations and videos that question the apprenticeship of a painter through the prism of an exchange between the artist and his alter ego Chantri, and his incarnation as a recurring fictional character, the Thai Denim Painter.  This exhibition finalizes the artwork initiated with the two previous pieces by dealing with Arunanondchai’s core theme; his identity, a structured representation of his artistic life, the social realities of Thailand and the phenomena of globalization, all mingled together here to form what he refers to as a “Memory palace.” (more…)

Los Angeles – Korakrit Arunanondchai (feat. boychild) “Letters to Chantri” at The Mistake Room Through September 13th, 2014

Tuesday, August 19th, 2014


Korakrit Arunanondchai (feat. boychild), Letters to Chantri #1: The lady at the door/The gift that keeps on giving(Installation View) at The Mistake Room, Los Angeles, 2014. Photo Credit: Josh White/JW Pictures.

The Mistake Room re-opens for its second show with a newly commissioned project by Thai-artist Korakrit Arunanondchai, open through September 13. The renovations, which followed the inaugural Oscar Murillo exhibition , were led by Alfonso Medina, Director of Studio T38, re-designing the raw warehouse space into a formal gallery space.

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