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New York – Sol LeWitt at Paula Cooper Gallery, in Conjunction with a Show of Works by LeWitt and Liz Deschenes, Through October 22nd, 2016

Wednesday, October 19th, 2016

Sol LeWitt, Wall Drawing #368: The wall is divided vertically into five equal parts. The center part is divided horizontally and vertically into four equal parts. Within each part are three-inch (7.5 cm) wide parallel bands of lines in four directions in four colors. In each of the other parts, three-inch (7.5 cm) bands of lines in one of the four directions. The bands are drawn in color and India ink washes. Red, yellow, blue, ink, India ink 3”
Sol LeWitt, Wall Drawing #368: The wall is divided vertically into five equal parts. The center part is divided horizontally and vertically into four equal parts. Within each part are three-inch (7.5 cm) wide parallel bands of lines in four directions in four colors. In each of the other parts, three-inch (7.5 cm) bands of lines in one of the four directions. The bands are drawn in color and India ink washes. Red, yellow, blue, ink, India ink 3” (1982), via Art Observed

Spread across all three of Paula Cooper’s Chelsea spaces, the gallery has embarked on a major celebration of the work of Sol LeWitt, posing a series of exhibitions that explores the range of the artist’s conceptual oeuvre, both as a solo artist, and in his historical impact on the development and evolution of art in both the 2oth and 21st Century.  Combining this diverse range of perspectives and interpretations of the artist’s work, the show is a fittingly nuanced exploration of an artist whose work continues to influence the progression of the field today, almost fifty years after his first exhibitions of work.

Sol LeWitt, (rip) R724, The area of Florence between the Piazza della Unita Italiana la chiesa S. Frediano and il Porticato dell ‘Ospedale di S. Maria Nuova, 1976
Sol LeWitt, (rip) R724, The area of Florence between the Piazza della Unita Italiana la chiesa S. Frediano and il Porticato dell ‘Ospedale di S. Maria Nuova (1976), via Paula Cooper

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Go See – Los Angeles: 'Picture Industry' at Regen Projects through August 21st, 2010

Sunday, August 8th, 2010


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Picture Industry (Goodbye to All That), Installation view, Regen Projects II, Los Angeles. All images courtesy of Regen Projects.

Currently on view at Regen Projects, Los Angeles, is the group show Picture Industry (Goodbye to All That), curated by artist Walead Beshty. ‘Picture Industry’ refers both to the physical setting and the conceptual pretext within which the show is presented, with Los Angeles as the focus in terms of both place and content. Included in the exhibition are works by Tauba Auerbach, Thomas Barrow, Carol Bove, Troy Brauntuch, Tony Conrad, Abraham Cruzvillegas, De Rijke / De Rooij, Liz Deschenes, Isa Genzken, Wade Guyton, Robert Heinecken, Karen Kilimnik, Imi Knoebel, Michael Krebber, Glenn Ligon, Erlea Maneros Zabala, Albert Oehlen, Manfred Pernice, Seth Price, Richard Prince, Josephine Pryde, R.H. Quaytman, Eileen Quinlan, Miljohn Ruperto, Michael Snow, Cosey Fanni Tutti, Charline Von Heyl, Kelley Walker, James Welling, Christopher Williams & Christopher Wool.

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