Global contemporary art events and news observed from New York City. Suggestion? Email us.

Go See – Berlin: Omer Fast ‘Talk Show’ at Arratia Beer through June 12th, 2010

Thursday, June 3rd, 2010


Omer Fast Talk Show, 2010. With actress Lili Taylor. All images: A Performa Commission co-produced by Artis Contemporary Israeli Art Fund, Edith Russ House for Media Arts, Oldenburg and Goethe Institute. Photo by Olimpia Dior. Courtesy of the Artist and Arratia, Beer, Berlin.

Currently on view at Arratia Beer is a new video piece entitled Talk Show by Omer Fast. The work was originally recorded in front of a live audience as part of Performa in 2009, and continues Fast’s interest in the liminal space between fact and fiction as mediated by film. Set in a theatrical, talk show like setting, the film records Lisa Ramaci relating her personal story about the Iraq war to actress Rosie Perez, who was hearing the account for the first time. When Ramaci finishes her story, Perez re-tells the story to another performer. This process of re-telling is repeated for a total of six renditions, and, much like the childhood game of Telephone that the work is inspired by, results in many factual errors and even becomes comedic.


Omer Fast Talk Show, 2010. Courtesy of the Artist and Arratia, Beer, Berlin.

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AO On Site – New York: Cyprien Gaillard and Koudlam’s “Desniansky Raion” at The Kitchen, November 20th, as part of Performa 09

Sunday, November 29th, 2009

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An excerpt of an earlier collaborative performance at The New Museum’s Younger Than Jesus show

On November 20th, ArtObserved attended a Performa event that was unlike many others. The evening started out engulfed in the crowd of stylish audiences, which noisily filled the small entrance lobby and occasionally poured out onto the sidewalk for a smoke or some air. As many languages resonated across miniature gallery, anticipation seemed to rise to a crecendo. Needless to say, The Kitchen filled to capacity.

The artist, a young French native who is now based in Berlin, shuffled in and out of the performance space beyond the large black doors. Hurried, yet composed, he let escape an occasional smile to the public.

More images and text after the jump…
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AO On Site – Performa 09: Yeondoo Jung presents “Cinemagician” at Asia Society

Saturday, November 21st, 2009

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Preview of Yeondoo Jung’s piece – Cinemagician, commissioned by Performa 09 and presented at Asia Society. Video courtesy of Asia Society

On November 19th and 20th, Asia Society hosted one of 9 individual artists commissioned to conceive a piece of interactive art specifically for the 3nd Performa Biennial that has been remastering the landscape of New York art scene for the last two weeks. Yeondoo Jung’s Cinemagician is a project of one of the most prominent Korean artists working today. Combining theater, cinema, and performance, Jung create a trompe d’oeil effect that is both highly innovative and amusing. He tackles the often overlooked process behind creating a video work, art form that increasingly pervades modern practice. By allowing the audiences to witness first hand the making of Jung’s video work, he activates the space between the artist and the public. Jung recognizes the importance of the creative process to the final product and thus implicates the audience in actively participating in creating the work. (more…)

AO On Site Performa 09: William Kentridge’s ‘I Am Not Me, The Horse Is Not Mine’

Wednesday, November 18th, 2009


William Kentridge’s ‘I Am Not Me, The Horse Is Not Mine,’ Photo by Paula Court, Courtesy of Performa

On November 9th, as part of Performa 09, William Kentridge presented ‘I Am Not Me, The Horse Is Not Mine,’ a lecture and animated performance that is related to his upcoming production of Dmitri Shostakovich’s 1928 opera ‘The Nose,’ at the Metropolitan Opera. The opera is based on the short story by Gogol of the same name about a man whose nose runs away from him and takes on a life of its own. Central to the story and Kentridge’s performance are the ideas of divided selves and authorial doubt. As Kentridge relays the story, an animated version of himself comes onstage, leading him to pause repeatedly and look over his shoulder, to walk over and quizzically inspect his doppelgänger.


William Kentridge’s ‘I Am Not Me, The Horse Is Not Mine,’ Photo by Paula Court, Courtesy of Performa

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Newslinks for Wednesday November 4th, 2009

Wednesday, November 4th, 2009


Performa 09 party via Artinfo

-To benefit Performa 09, party designer Jennifer Rubell invites 600 guests to “Creation” held at X Initiative in Chelsea in New York, where 3,600 drinking glasses, a pyramid of unshelled peanuts and 2,000 pound hillock of honey-soaked ribs were among the excess of food being served (Performa 09/ Food for Thought) [The Moment]

-In related, To mark the start of Performa 09 MoMA invited Fischerspooner to stage a show (Performance Art Enters the Museum) [Artinfo]

-In related, At Haunch of Venison in New York Marina Abramovich, Leandro Erlich, Mickalene and Rob Wynn pair with NYC pastry chefs to create performances; cakes were served by topless models (Kreemart or Cream Art Performance at Haunch of Venison) [NY Art Beat]

-Bikes used by Lance Armstrong and with frames designed by contemporary artists fetch $1.3 million at auction in Sotheby’s, among them Damien Hirst’s sold for $500,000 (Armstrong’s Tour de France Bikes Fetch $1.3 Million at Auction) [Bloomberg]

To stay apprised of most of the relevant art news for this past week… (more…)