Josh Kline, Forever 27 (2013), Courtesy 47 Canal

Quality of Life is Josh Kline’s first solo exhibition since 2011, and directly follows his having organized this summer’s high-profile Pro-Bio group show at MoMA PS1. The exhibition acts as something of a statement of intent for the New York artist and deals with themes increasingly familiar within Kline’s growing body of work, looking at the commodification of identity and youth, alongside the forging of new, posthuman understandings of the body.

Josh Kline, Quality of Life (Installation View), via Sasha Patkin for Art Observed (more…)

A report on behavioral economics in art, as summarized in The Economist, examines the link between the experience of viewing art, and its effects on the viewer’s desire to see more art.  Through repeated exposure in a blind study, subjects were found to grow more partial to works they had repeated experience with, particularly with works that were considered high quality versus works that are generally regarded as trite or “poor” (in this case, Thomas Kinkade). (more…)