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New York – Erika Vogt: “Stranger Debris Roll Roll Roll” at The New Museum Through September 8th, 2013

Friday, September 6th, 2013

Erika Vogt, Stranger Debris Roll Roll Roll (2013), Courtesy New Museum, New York Photo: Benoit Pailley

The back room in the New Museum lobby is currently draped with hanging anchors, plaster molds,  and other myriad items, a bizarre assemblage of pieces and materials that forces visitors to duck their heads and tread cautiously as they move through the narrow room.  This installation, newly created for the museum by artist Erika Vogt, is Stranger Debris Roll Roll Roll, a surreal video and sculptural piece that playfully toys with the raw materialism of the works on view.


Erika Vogt, Stranger Debris Roll Roll Roll (2013), Courtesy New Museum, New York Photo: Benoit Pailley (more…)

New York – Orly Genger, ‘Red, Yellow and Blue,’ at Madison Square Park through September 8

Thursday, August 29th, 2013


Orly Genger, Red, Yellow and Blue (2013) via Madison Square Park

On view in Madison Square Park through September 8, Orly Genger’s Red, Yellow and Blue is an astounding yet whimsical feat of sculpture. Commissioned by Madison Square Art, Red, Yellow and Blue is constructed from 1.4 million feet of rope from repurposed lobster traps, crochet stitched into braids, covered with over 3,500 gallons of paint and stacked and twisted into over 100,000 pounds of colorful and continuous wave-like shapes.


Orly Genger, Red, Yellow and Blue (2013) via Madison Square Park

Genger, 34, is known for pushing the limits of sculpture using rope and found materials.  Her large-scale installations play with the language of the Minimalist, Post-Minimalist and Feminist art historical canon, often utilizing massive installations of repurposed materials.  Past works have referenced Tony Smith, Donald Judd and Walter de Maria, and 2010’s Big Boss at Mass MoCA included 100 miles of red rope that suggested a play on abstract painting.  Though executed in a vocabulary all her own, Genger’s Red, Yellow and Blue also recalls the monumental forms of Richard Serra and the pop textures of Claes Oldenburg. (more…)