Bradford Young, Bynum Cutler (2014), via Art Observed

Founded in 1838, the Brooklyn community of Weeksville was a landmark moment in the history of African-American self-determination.    Just 11 years after the abolition of slavery in New York, Weeksville was founded by free Black landowners, a venture that grew to over 500 households and earned its citizens the right to vote.  As a social project, Weeksville’s impact is vastly significant, allowing a supportive, radical structure for its citizens to define and build their own system of economic and cultural stability.  Weeksville’s powerful history that sits at the center of Creative Time’s newest project, Funk, God, Jazz & Medicine, a series of collaborative on-site projects and initiatives incorporating the communal, radical mission of Weeksville and examining its presence in the contemporary landscape of Central Brooklyn. (more…)

Gao-Yuan, Ai-Weiwei (2012), all images courtesy Martin-Gropius Bau

Opening on April 3rd at Martin-Gropius-Bau in Berlin, and organized by the Berliner Festspiele, is the largest solo show of works by Ai Weiwei ever to be exhibited. Taking up 3,000 square meters in 18 rooms, the installations and sculptures.  Entitled Evidence, the politically driven works from the artist, architect, and amateur politician alludes to the term meaning “proof that will stand up in court.” The works were designed in his studio on the outskirts of Beijing, and many of which were specifically designed for display in the museum’s spacious exhibition halls.

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