David B. Smith, via Art Observed

With the annual return of The Armory Show to the Piers on the West Side of Manhattan, so too comes the annual opening of the SPRING/BREAK Art Show, the adventurous, curator-driven program that takes up space at a pop-up location for a week of compelling and unique exhibitions and projects.  The fair’s playful reputation and emphasis on young artists and curators welcomed a striking intersection of styles and practices, yet one that seemed to frequently play on witty inversion or twists on the banal.  Given the size and scale of the proceedings around it, SPRING/BREAK has edged out an impressive niche for itself among the bustle of Armory Week, a space where exploration and adventurousness seem to win out over the sales-focused proceedings of its bigger sister fairs around New York. One can only hope that this sense of the unexpected continues to sit at the core of its mission, offering a refreshing respite from the all too familiar fair fatigue of the week. (more…)

Alighiero Boetti, Per Nuovi Desideri (1988), via Repetto

As the winter months drags slowly to its conclusion, and the weather shifts into more temperate conditions, New York City will once again step into its role as a central hub of the contemporary art market, and the global art fair circuit, kicking off its string of fairs across the city.  Centering around the annual Armory Show Art Fair on the West Side, the week serves as one of the more important selling weeks of the first half of 2019. (more…)

Theo Triantafyllidis, Seamless (2017) at Transfer Gallery, all images via Art Observed

Opening up its own intriguing take on the landscape of Los Angeles and its ample supply of artists and galleries, SPRING/BREAK has brought its production to the City of Angels for the first time, launching a supplementary event that feels particularly resonant amid the hustle and bustle of Frieze week. (more…)

Adam Parker Smith at SPRING/BREAK, via Art Observed

Heavy snow beat down the doors at SPRING/BREAK art show during Armory Week, now in its fourth iteration and housed in the wood-paneled third and fourth office floors of Skylight at Moynihan Station, a unique space that makes for a fitting continuation of the fair’s imaginative, distinct style.  The curator-driven show has more more than doubled in size since last year’s public/private-themed exhibition at St. Patrick’s Old Cathedral School in Nolita, SPRING/BREAK’s home for the past several years. The number of participating curators also rose from 39 to 97, bringing an increased number of artists as well, from 100 to over 300 people for 2015.

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