Karl Holmqvist, Here’s Good Looking @U Kid (Installation View), via Art Observed

The current exhibition at Gavin Brown’s West Village exhibition space is abrasive, to say the least.  Focused around the life and work of Karl Holmqvist, the three room exhibition is adorned with the artist’s goading vitriol towards New York real estate, gay culture, social media, the art world “star machine,” and what seems to be anything else that crosses his mind, combined with immense, industrial sculptures composed from the letters in words like “Fuck,” “Punk” and “Like.” (more…)

Korakrit Arunanondchai, 2555-2012 (2012), via Art Observed

At just 28 years old, Korakrit Arunanondchai (“Krit” for short) has already compiled an impressive aesthetic vocabulary for himself.  Mixing his own blend of aesthetic signifiers (denim, flowers, musical tropes, performative hip-hop) with a variety of media including painting, video, sculpture and performance, to create a fluid, intertextual universe.  It’s just this universe that dominates the artist’s first exhibition at MoMA PS1 this spring, a single room affair that culls from the artist’s already dense body of work to extract a series of focused themes and subjects in the artist’s young career.

Korakrit Arunanondchai, Untitled (Muen Kuey No. 17) (2013), via Art Observed (more…)

The New York Times reports on the growing contemporary arts scene in Bangkok, Thailand, increasingly bolstered by expats and foreigners.  Referred to as “farangs” in Thai, many have opened galleries, nonprofits and other organizations promoting the city’s artists and institutions.  “Farangs play a very important role in the image of what goes on here,” says curator Pier Luigi Tazzi.  “They are still connected to their own countries so these links are still very attractive in terms of communication.” (more…)

Thai artist Rirkrit Tiravanija releases his first film ‘Lung Neaw Visits His Neighbors’, which follows a 60 year-old retired rice farmer based in Chiang Mai, a rural province of Thailand. The film, released today in Manhattan, maintains no story line or screenplay in its minimalist progression.

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