Wolfgang Tillmans, Freischwimmer 229 (2012), via Regen Projects

As the month of December approaches for the art world, attention turns once again to Miami Beach, as the 14th American edition of Art Basel brings its only U.S. franchise back to the Miami Beach Convention Center, along with 267 galleries from around the globe, a strong selection of talks, events and projects, as well the numerous satellite fairs, one-off exhibitions, and of course, the parties up and down Collins Ave and the surrounding areas. (more…)

Dan Colen, To Be Titled (2011), via New York Times

Snarky and straightforward, the press release for Zach Feuer and UNTITLED’s joint g roup show Jew York speaks with a hint of exasperation, a feeling of exhaustion over the bumper crop of cultural explorations and increasingly globalized scope of the contemporary art world: “There’s nobody left to survey, and nowhere left to do it.  So we figured our only option was to do a show of Jews, and do it in New York.” (more…)

All photos on site for Art Observed by Erica Schwartzberg

UNTITLED. art fair is celebrating their first year at Art Basel Miami. Under the art direction of New York-based curator Omar Lopez-Chahoud, a beachfront pavilion was designed by architecture firm K/R (John Keenen and Terence Riley) to house a collection of international works by contemporary artists presented by 50 invited galleries. The space aims to emphasize the viewer’s experience  while creating context for the works. “It is about creating a conversation,” says Lopez-Chahoud, “and thereby offering collectors a sense of discovery, diversity, and quality with an international perspective.” UNTITLED. is open through Sunday, December 9th.

Paco Cao, mid-session of a seance, Eternal Rest at (Art) Amalgamated

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A self-portrait by the late Jean-Michel Basquiat is expected to fetch $20 million in the June 27 Christie’s International sale of postwar and contemporary art in London. “The vivid acrylic, oilstick and spray-paint canvas will be offered after another untitled 1981 work sold for an artist-record $16.3 million at Phillips de Pury & Co. in New York, on May 10.”

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N. Dash, installation view. All images via Untitled

The work of artist N. Dash often operates at a raw, wordless level: simple images and objects often devoid of any qualifying forms, save the materials. Perhaps fitting, then, that Dash’s first solo show, consisting of works of cloth, dirt, and other raw elements should be held at Untitled gallery in Manhattan. Focusing on dirt and its effects on cloth and other materials, Dash’s wall hangings walk the line between more conventional wall-hung pieces and works of sculpture. The texture and color of fabrics lie on a level playing field with the three-dimensional aspects of their arrangement and their spatial relationships to their surroundings.

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