Global contemporary art events and news observed from New York City. Suggestion? Email us.

New York – “Voice of America” at Gladstone Gallery Through July 27th, 2018

Saturday, July 21st, 2018

Voice of America (Installation View), via Gladstone
Voice of America (Installation View), via Gladstone

In 1975, Vito Acconci installed his now classic piece Voice of America at Portland Center for Contemporary Arts.  The piece was a love letter by way of a music lesson, according to the artist, an attempt at getting under the skin of the nation, and to speak to the inner spirit of the nation. “One kind of American music drifts into another: America presented in a music lesson, a geography lesson: from Ozark fiddle to California harmonica to New Orleans piano,” Acconci says. “My voice is the voice of a mythical Mr. America talking to Mrs. America: we’re giving voice to an American dream… There is a voice calling out from the wilderness, jabs of voice…here’s the response from the children of America.” (more…)

RIP: Vito Acconci Has Passed Away at the Age of 77

Friday, April 28th, 2017

Vito Acconi, via huffington post
Vito Acconi, via Huffington Post

Vito Acconci, the groundbreaking artist, architect and performer whose impact on the field of contemporary art counts among the most influential of the 20th Century, has passed away at the age of 77.  Acconci suffered a stroke this week, from which he did not recover.

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New York — Vito Acconci: “Where We Are Now (Who Are We Anyway?), 1976” at MoMA PS1 Through September 18th, 2016

Sunday, September 4th, 2016

Vito Acconci, WHERE WE ARE NOW (WHO ARE WE ANYWAY?), 1976 (Installation View)
Vito Acconci, WHERE WE ARE NOW (WHO ARE WE ANYWAY?), 1976 (Installation View)

Continuing a consideration of its nearly half-century long history in New York City, MoMA PS1 is celebrating its fortieth anniversary with an exhibition dedicated to the early career of artist Vito Acconci, a pioneer of body and performance art in the United States during the 1960’s and 70’s that drove forward new concepts and perceptions of art practice while PS1 was similarly expanding the concept of the exhibition space.  WHERE WE ARE NOW (WHO ARE WE ANYWAY?), 1976 focuses on Acconci’s works from the late ‘60s and early ‘70s—the years that proceeded the opening of PS1 as an experimental, non-profit art center under the guidance of Alanna Heiss. (more…)

Vito Acconci Profiled in NYT

Sunday, June 5th, 2016

Vito Acconci is profiled in the New York Times this week, as he prepares a career retrospective at MoMA PS1.  “I hated the word artist,” he says. “To me, even in the years when I was showing things in galleries, it seemed to me that I didn’t really have anything to do with art. The word itself sounded, and still sounds to me, like ‘high art,’ and that was never what I saw myself doing.” (more…)

New York – AO On Site: “Cellblock I & Cellblock II” at Andrea Rosen Gallery Through February 2nd, 2013

Tuesday, December 18th, 2012


Installation view, Cellblock I, Andrea Rosen Gallery. All photos on site by Erica Simone for Art Observed

The Andrea Rosen Gallery opened Cellblock I at its main space on December 1st, 2012, and simultaneously inaugurated its new, second location–just down the street at 544 West 24th Street–with Cellblock II. Both shows, held together under the theme (and anti-theme) of imprisonment, were curated by the prominent scholar and curator Robert Hobbs.


Robert Motherwell’s Dover Beach III at Cellblock II, Andrea Rosen Gallery

Hobbs is well-known for his work as an art historian and writer. He has been the Rhoda Thalhimer Endowed Chair at Virginia Commonwealth University since 1991, and a visiting professor at Yale University for eight years. He is known as the definitive Robert Smithson scholar, and has contributed seminal writings on many of the artists he selected to show, including Alice Aycock, Beverly Pepper, and Kelley Walker. (more…)

New York – AO On Site: The Kitchen Benefit Art Auction, November 26th, 2012

Saturday, December 1st, 2012


Gabriela Palmieri Auctioneer, The Kitchen Benefit Art Auction. All photos by Whitney Browne courtesy The Kitchen

In recovery from Hurricane Sandy, The Kitchen held its Benefit Art Auction on November 26th, 2012. Proceeds from the auction will go to participating artists.


First Row: Sukey Novogratz, Mike Novogratz (with the paddle), Kyra Tirana Barry, Dave Barry. Second Row: Guest, Tracey Ryans (more…)

New York – “Materializing ‘Six Years’: Lucy R. Lippard and the Emergence of Conceptual Art” at The Brooklyn Museum Through February 3rd, 2013

Saturday, October 6th, 2012


Image: Eleanor Antin100 Boots Facing the Sea, Del Mar, California. February 9, 1971, 2:00 p.m. (1971-1973), via Brooklyn Museum

In 1973, art critic and curator Lucy R. Lippard published Six Years, a defining book that catalogued and described the emerging field of conceptual art during the years 1967-1972.  Widely read and referenced as a fundamental exploration into Conceptual Art and the new aesthetic vocabulary that it contributed to the artistic lexicon, Lippard’s book has become an iconic document in the shifting artistic focuses of the 20th and 21st century.

The Brooklyn Museum has opened the door for a new reading of Lippard’s fundamental text, assembling a a vast array of artists championed in her writing. The exhibition provides a vantage point for understanding how Lippard’s perceptive thesis opened the door to new approaches in curating, engagement and criticism.

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AO On Site – SculptureCenter’s Lucky Draw 2010, April 13th, 2010, Long Island City, New York

Wednesday, April 21st, 2010


SculptureCenter’s annual fundraising event, Lucky Draw 2010. All images via SculptureCenter.

AO was on site for Lucky Draw 2010, a spirited annual benefit thrown by SculptureCenter to raise money for its exhibition program.  This year’s event set a new record for the highest gross, bringing in over $120,000 to the non-for-profit arts institution located in Long Island City, New York.


Volunteers moving a work by Kerstin Brätsch and Adele Röder (DAS INSTITUT)

On April 13, 2010, as ticket holders surveyed the offerings and made lists of their top picks, no one seemed to worry that the event’s unlucky date would disturb anyone’s luck.  The room was abuzz with excitement: unlike most art auctions, in this event the order in which the artworks are selected is determined by a lively and suspenseful random drawing.  The ticket price, at $450 a head, draws both novice and experienced collectors.

More text and related links after the jump….
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Newslinks for Monday September 27th 2009

Monday, September 28th, 2009


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Installation view of Anish Kapoor’s work at the Royal Academy of Arts in London via BBC

Anish Kapoor, the first living artist to exhibit at the Royal Academy of Arts in London, installs a work that shoots red paint to the walls of the famed 18th century building [The Wall Street Journal]
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Jeff Koons to be the curator of the New Museum show of Dakis Joannou’s collection, including works by Maurizio Cattelan, Urs Fischer, Robert Gober, Chris Ofili, and Jeff Koons himself
[The New York Times]
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Russia’s biggest contemporary-art fair opened September 23, 2009 in Moscow to coincide with Third Moscow Biennale of Contemporary Art
[Bloomberg]
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Donald Fischer, founder of Gap and art collector, loses his battle to cancer at 81; his collection will be permanently housed at San Fransisco Museum of Modern Art
[San Francisco Chronicle]
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Artist Ed Ruscha stars in a film by video artist Doug Aitken to be projected as installation entitled “Frontier” on Tiberina island in Rome
[The Art Newspaper]
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Andreas Gursky, his works and Pop influences, mainly Warhol’s, as analyzed in the Economist conclude “99 cents II (Diptych)” as the artist’s most important piece
[Economist]


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Ryan McGinness via J. Crew

Last summer painter Alex Katz modeled clothes for J. Crew catalog; this year seven New York artists, including Ryan McGinness and Vito Acconci, are featured [J.Crew]
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Tate Modern to recreate a 1992 exhibition that took place in New York’s Leo Castelli and was criticized as racist; 15 years later Tate curators appropriate the show as a part of a bigger Pop Life: Art in a Material World exhibit and hope for a different reaction
[The Independent]
–>
A Sigmar Polke painting, Untitled – Oil on Drape (1969), stolen directly from the artist’s atelier, the police deliberates the thief could only be someone with access to the space
[Artforum]
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Frieze Art Fair 2009 announces the details of its sculpture park, in London’s Regent’s Park; “Henry Moore Bound to Fail” by American artist Paul McCarthy is to remain on display for six months
[Frieze Art Fair]


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Guggenheim Museum Art Award via The New York Times

Louise Bourgeois, Urs Fischer, Dan Graham and Mary Heilmann are among the select individuals nominated for the First Annual Art Awards Guggenheim Museum announced this week [The New York Times] In related, the Frieze Art Fair announced the call for entries to The Cartier Award 2010 [Art Review]     
–>
Results from Sotheby’s mid-season Contemporary Art Sale
details at Art Market Monitor [Sotheby’s]
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The British Arts Council and the London 2012 organization announce Anthony McCall as a finalist in their nationwide initiative to commission public art in celebration of the upcoming Olympics. McCall has proposed a 1,5 mile earth sculpture in the form of a simulated vertical cloud in Liverpool [ArtInfo]
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A detailed survey of Contemporary-Art Auction values in the midst of economic crises as influenced by several variables, show a significant decrease [Bloomberg]
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65 year old Jehuda Reinharz, President of Brandeis University- home to Rose Art Museum housing works by artists such as Warhol and De Kooning, is to resign [Los Angeles Times]


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Sophie Calle photographed by Yves Geant via Guardian UK

France’s conceptual artist Sophie Calle’s path to art world recognition as examined through a personal perspective: stripping, spying, sleeping, “seducing her father” all turned into artistic practice [Guardian UK]
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At Westminster Cathedral, British painter Peter Doig is to create a new installation to coincide with a concert from the British pianist Stephen Hough whom he met after a recital in London in 2008 [Art Review]
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Two new co-directors, both previously with Art Basel, promote this year’s Art Forum Berlin to attract some of the city’s big name art galleries, among which: Max Hetzler, Johann König, Klosterfelde and Neugerriemschneider [Financial Times] and here is some video of the event [Vernissage TV]
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60 Galleries are not returning to Art Basel Miami Beach, but 65 new ones are added, hence the fair grows in quantity [Lindsay Pollock]


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Picasso’s sketch to be auctioned via Guardian UK

Picasso’s sketch that must have taken seconds to produce is expected to sell for more than £20,000 at Duke’s auction [Guardian UK]
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Christie’s “First Open” Post-War and Contemporary Art sale brings in good results, appealing to many buyers while providing a wide range of pricing and themes [Art in America]
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Christie’s Frieze exhibitions and auctions dedicated to Post-War and Contemporary Art will include works by artists such as Lucio Fontana, Damien Hirst and Gerhard Richter [ArtDaily]
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Museum of Contemorary Art in Los Angeles raises $60 million since December 2008 when it had revealed its financial troubles
[Culture Monster]
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Annie Leibovitz and Damien Hirst to design for Louis Vuitton [Elle UK]

SILLINESS OF TODAY’S HORROR MOVIES INSPIRATION FOR WAYANS BROTHERS.(What’s Happening)

Seattle Post-Intelligencer July 14, 2000 Most fans just laugh at how silly horror movies have become. Three of filmdom’s Wayans brothers decided to parlay their reaction into real laughs in “Scary Movie.” “It’s like `Airplane,’ ” says director Keenan Ivory Wayans. “Those guys knew that the disaster genre had been beaten to death.

“In horror, you’ve had the Jason series, the Freddy series, the `Scream’ series. This genre’s been played to death. . . . Same thing with `Don’t Be a Menace . . . ‘ You had `Boyz N the Hood,’ `South Central.’ ” The makers of “Scary Movie,” which had a huge opening last weekend, are no strangers to parody. Wayans targeted blaxploitation films when he wrote, directed and starred in the 1988 comedy “I’m Gonna Git You Sucka.” He also acted in “Don’t Be a Menace to South Central While Drinking Your Juice in the Hood,” the 1996 comedy written by and starring younger brothers Shawn and Marlon Wayans. in our site horror movies 2010

“If you can find a genre’s that’s beaten itself to death and has sort of ingrained itself in popular culture, then it’s ripe for parody,” says Keenan, 42.

“Scary Movie” originated with Shawn, 29, and Marlon, who’ll turn 28 on July 23. “All they do all day is call me,” Keenan Wayans said in an interview. “They sit in the house, and they call me, like, four times a day, going, `Is there something in this?’ And I’ll go, `No, that’s ridiculous.’ “And then they called me and said, `Is there something in the idea of doing a parody of all these teen horror movies?’ And I said, `Yeah, there’s definitely something in that.’ ” The younger Wayanses got together with Buddy Johnson, who’d served as executive story editor on their WB sitcom “The Wayans Brothers,” and Phil Beauman, who co-wrote “Don’t Be a Menace” and wrote for “In Living Color,” the sketch-comedy show created by Keenan in the early ’90s, and wrote a script. in our site horror movies 2010

“And 10 drafts later . . . it got made,” says Keenan. (Two other writers who’d come up with a similar idea are also credited because Miramax bought their script to avoid legal hassles.) Inspiration for “Scary Movie” came from sitting in theaters, watching the recent horror films and seeing how ridiculous they were, Marlon Wayans says.

“The first `Scream’ was good,” he says. “Then they do the sequel and they do `I Know What You Still Did Last Summer’ and . . . `Urban Legend.’ ” “Scary Movie” goofs on all the usual suspects plus “The Usual Suspects,” “The Sixth Sense,” and “The Blair Witch Project.” Marlon and Shawn wrote parts for themselves, naturally, but neither of them is the main character.

While the “Scream” films satirize the horror genre, “they just heightened where you need to go in terms of showing comedy,” says Marlon Wayans. “They make commentary. We show.” “They had an actual, real killer,” says Shawn Wayans. “We had a killer, but we made fun of what was funny about the killer in those movies.” “Scary Movie” also follows in the footsteps of gross-out comedies such as “There’s Something About Mary” and “South Park: Bigger, Longer & Uncut.” “ `Something About Mary’ and `South Park’ kind of opened up the door,” says Marlon Wayans. “What you do is, you go, `OK, y’all like that? Well, wait till you get a load of this!’ “What we’re doing with the comedy, pushing the envelope like that, is making a parody statement itself. Like, `Look at all the crazy things that people are doing out there.’ And teens love it.” What the Wayanses love is working with each other. Even though they couldn’t come up with roles for brother Damon or sister Kim, “Scary Movie” was a family affair.

Marlon and Shawn expect to continue collaborating. “I like working with him,” says Marlon. “I slept in a bed with him for 16 years. I had his feet in my face my whole life, so this is my best friend.” As for having big brother direct, that was a no-brainer. “Keenan is great,” says Shawn. “I think he’s a genius, and we totally respect his work. He taught us everything we know about comedy and just about life, period.

“It’s kind of like he’s been the director of our life anyway.” Adds Marlon: “So to finally get paid to be bossed around, hey!”

Newslinks for Wednesday, February 18th, 2009

Wednesday, February 18th, 2009


Antony Gormley photographed at White Cube last year, via the Independent

New Antony Gormley sculpture unveiled in Oxford city centre, atop Exeter College [BBC]
6 Vice video interviews with artist Vito Acconci
[VBS]
KAWS interviewed on CBS Sunday Morning News
[The World’s Best Ever]
Sarah Lucas and Oliver Garbay produce a provocative 750 page alphabet book [Times UK]


For the Love of Gold by Eugenio Merino, via Supertouch

Damien Hirst suicide sculpture ‘For the love of Gold’ causes a stir at Madrid art fair [Supertouch]
Rita Ackermann’s 10-year old daughter opens first solo art show at Half Gallery in NYC
[The Moment]
ArtTactic Survey indicates declining confidence in Chinese contemporary artists and value of their works
[Bloomberg]
Park Avenue Armory launches commission within by its Drill Hall, Ernesto Neto will be the first [ArtDaily]


A JR work last year at the Tate Modern via the Worlds Best Ever

A profile of JR, a street artist of ambitious scale, hailed as ‘hippest street artist since Banksy’ and, who is according to Sotheby’s Contemporary head is currently “unbelievably hot”
[Times UK]
The Economist examines the quirks of the contemporary art market under the current economic conditions [Economist]
The Journal recaps the London Auctions
[Wall Street Journal]
The New York Times examines the effect of recessions and price corrections on the quality of art
[NYTimes]