Sol Lewitt, Horizontal Progression #6 (1991), via Daniel Creahan for Art Observed

Sol Lewitt, considered by many as the founding father of conceptual modernism, is regarded as one of the most influential artists of the last half of the 20^th century. The cube, as a “grammatical device” from which Lewitt’s work often develops speaks to his ambition to reduce art to its essentials, and approach the relationship between artistic creation and the mechanization of thought.  Lewitt is also known for his large-scale two and three-dimensional works, particularly his wall drawings executed in 1968. In these wall drawings, predetermined line-making procedures and formulas typically associated with commercial production were enlisted in the installation of this work across galleries. (more…)

Sol LeWitt, Wall Drawing #564, via Daniel Creahan for Art Observed

As an aspiring painter in New York City during the late 1950s, American artist Sol LeWitt struggled to find his “touch,” in the midst of the waning days of Abstract Expressionism- a movement which focuses on the importance of individual creation.  After taking a job at the book counter of the Museum of Modern Art in 1960, LeWitt became familiar with the engineering aesthetic of Russian Constructivism and Eadweard Muybridge’s sequential photographs, developing an interest in reducing art to its bare essentials. Literally recreating art from square one though his explorations of geometric forms, LeWitt is now considered to be one of the essential founders of both Conceptual and Minimal art. Differing from strict Minimalists by his focus on systems and concepts over materials, LeWitt’s art is one in which ideas and collaboration are paramount.

Sol LeWitt, Wall Drawing #564 (2013), Courtesy Paula Cooper Gallery (more…)

A number of wall drawings and other works by Sol LeWitt are set to open this fall, including an installation of Wall Drawing #599: Circles 18 at the Jewish Community Center on the Upper West Side, and an exhibition of the artist’s wall drawings at Paula Cooper Gallery in Chelsea.  “It is an opportunity to make art accessible for all ages, from strollers to wheelchairs, toddlers to people in their 90s.”  Says JCC executive director Rabbi Joy Levitt. (more…)

Collector sues Chicago gallery for losing signed instructions for Sol LeWitt’s “Wall Drawing #448”, “The unique nature of Sol LeWitt’s wall drawings renders their accompanying certificates of authenticity critical to the works’ value,” reads the complaint.

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