Alma Allen, Not Yet Titled (2022), via Blum & Poe

This month in Los Angeles, Mexico-based artist Alma Allen’s fourth solo exhibition with Blum & Poe marks a continuation of the artist’s work in intense, gesturally-oriented sculpture and meticulously carved and cast bronzes, here exhibited for the first time as a series of wall-hanging works. Read More »

Jim Shaw, Going for the One (2022), via Gagosian

On view this month at Gagosian Gallery in Los Angeles, artist Jim Shaw presents a selection of new works that continue his enigmatic and challenging exploration of modernity and culture. United under the title Thinking the Unthinkable, the show reanimates mythological themes through incidents from political history and popular entertainment, outwardly disparate fields that collide here in a dreamlike mélange. Read More »

Maggie Lee, Unique Boutique (Installation View), via Reena Spaulings

Artist Maggie Lee’s work functions on complex twists of both memories and their embellishment. Frequently approaching her works as both the material of her past and their continued presence and importance in the present, Lee’s pieces dwell on constructions of culture through materials and experiences simultaneously. For her latest show, open this month at Reena Spaulings and Gaga’s shared Los Angeles space, the artist continues this mode of practice, her delving deep into clothing as both container and surface for a range of associations and meanings.

Maggie Lee, Unique Boutique (Installation View), via Reena Spaulings Read More »

Tara Donovan, Screen Drawing (2021), via Pace

On view this month, from January 13 to February 25 at Pace, artist Tara Donovan brings together a selection of screen drawings made with aluminum insect screen, a body of work that began during the pandemic, and which involves moving, pinching, and cutting the wires of an aluminum screen to extract mesmeric patterns from the material’s existing grids. Ranging from just over a foot in height and width to nearly four feet wide and tall, these two-dimensional screen drawings feature unique geometric motifs that produce varied visual effects. Read More »

Lucio Fontana, Nudo (Nude) (1926), via Hauser & Wirth

This winter, Hauser & Wirth presents the second in a trilogy of exhibitions dedicated to the late Argentine-Italian artist Lucio Fontana, considered among the 20th century’s most inventive artists. Curated by Luca Massimo Barbero, in collaboration with the Fondazione Lucio Fontana, and focused on Fontana’s prolific breakthroughs and experiments in the medium of sculpture, this exhibition will fill the gallery’s uptown location at 32 East 69th Street, the very same address where, in 1961, Fontana’s first solo show in the US was presented at the galleries of the legendary art dealers Martha Jackson and David Anderson. Read More »

Silke Otto-Knapp, Versammlung (Installation View), via Buchholz

On view this month at Galerie Buchholz in New York, the gallery presents an exhibition by the artist Silke Otto-Knapp (1970-2022). Produced in the 18 months before the artist’s death last year, and conceived of specifically for the Buchholz space in New York, Versammlung (German for “assembly”) unites a series of free-standing paintings that depict a series of bodies traversing space, moving and floating through the gallery.  Read More »

Jannis Kounellis (Installation View), via Gladstone Gallery

This winter, the artist Jannis Kounellis is the subject of an expansive exhibition of work on view at Gladstone Gallery in Chelsea this month, underscoring the artist’s powerful and expressive body of work, and its exploration of violence, loss and pain. Like many of his generation in Europe, Jannis Kounellis (1936 – 2017) experienced war at close quarters throughout his childhood; first during the German Nazi/Italian Fascist occupation [subjugation] of Greece, and then the civil war that erupted in the power vacuum when the occupiers were defeated in 1943. One of the first Cold War conflicts, the war lasted until 1949, when Kounellis was 13 years old. Read More »

Jacqueline Fraser, The Making of Reflections in a Golden Eye (2022), via Downs & Ross

Marking artist Jacqueline Fraser’s first solo show at Downs & Ross in New York, The Making of Reflections in a Golden Eye marks a continuation of the artist’s fascination and exploration of the processes and mythos of filmmaking. Here turning her attention to the 1967 film Reflections in a Golden Eye, directed by John Huston, the artist interprets its subject matter and plot through a series of collaged materials and spaces, arranged costumes and various materials that trace a distinct sense of anxiety and exploration of the modern cultural and social landscape.

Jacqueline Fraser, The Making of Reflections in a Golden Eye (2022), via Downs & Ross

Read More »

Robert Colescott, MOM’S OLD FASHION ROOT BEER (1974), via Venus Over Manhattan

On through the end of the week at Venus Over Manhattan’s downtown space, the gallery presents a body of works by painter Robert Colescott, organized to trace the development of the artist’s depictions of female subjects over the course of his sixty-year career. Serving as a coda to the recent, critically-lauded traveling museum retrospective Art and Race Matters: The Career of Robert Colescott, the show charts the evolution of Colescott’s ambitious practice through some thirty works produced between 1955 and 1996. Read More »

David Altmejd, The Vector (2022), via White Cube

This winter in London, artist David Altmejd has opened a new show at White Cube, continued his strange fusions of the human form, its constituent parts, and inflections of foreign material to create otherworldly new images. Drawing on classical mythologies of the trickster and the hare as a classical symbol of that mythological archetype, the artist blends languages and images through the frame of Carl Jung to create a surreal interior landscape.  Read More »