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New York — “Serialities” at Hauser Wirth Through April 8th, 2017

Friday, March 31st, 2017

Los Angeles – Isa Genzken: “I Love Michael Asher at Hauser Wirth & Schimmel Through December 31st, 2016

Monday, December 26th, 2016

Hauser Wirth & Schimmel Makes Preservation Efforts on Property’s Murals

Thursday, March 10th, 2016

Hauser Wirth and Schimmel Gallery Profiled by LA Times

Monday, February 8th, 2016

Hauser Wirth and Schimmel to Open This March with Show of Female Sculptors

Friday, November 27th, 2015

Hauser Wirth and Schimmel Announces Opening Date

Friday, September 11th, 2015

Los Angeles – Nicolas Party: “Sottobosco” at Hauser & Wirth Through April 12th, 2020

Tuesday, February 18th, 2020

Simone Leigh Joins Hauser & Wirth

Monday, January 20th, 2020

Henry Taylor Joins Hauser & Wirth

Wednesday, January 15th, 2020

George Condo Heads to Hauser & Wirth

Wednesday, January 15th, 2020

New York – Rashid Johnson: “The Hikers” at Hauser and Wirth Through January 25th, 219

Wednesday, January 8th, 2020

London – Mark Bradford: “Cerberus” at Hauser and Wirth Through December 21st, 2019

Thursday, December 19th, 2019

Avery Singer Joins Hauser & Wirth

Friday, December 13th, 2019

George Condo in Talks to Join Hauser & Wirth

Friday, December 13th, 2019

Nicole Eisenman Joins Hauser & Wirth

Thursday, November 14th, 2019

Hauser & Wirth to Stage Three Shows with Fondazione Lucio Fontana

Thursday, September 26th, 2019

New York – Amy Sherald: “The Heart of the Matter…” at Hauser & Wirth Through October 26th, 2019

Wednesday, September 25th, 2019

Ed Clark Heads to Hauser & Wirth

Monday, July 22nd, 2019

New York – David Hammons at Hauser & Wirth Through August

Thursday, July 11th, 2019

New York – Piero Manzoni: “Lines” and “Materials of His Time” at Hauser & Wirth Through July 26th, 2019

Saturday, June 29th, 2019

Hauser & Wirth Now Represents Nicolas Party

Wednesday, June 26th, 2019

Hauser & Wirth to Open Space in the Balearic Islands

Thursday, June 13th, 2019

Hauser & Wirth Now Represents Annie Leibovitz

Tuesday, June 11th, 2019

Roberto Cuoghi Represented by Hauser & Wirth

Wednesday, February 20th, 2019
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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NYT Notes Generation Gap in Online Art Sales

June 9th, 2020

As art sales go online, the NYT notes an increasing generation gap, with older buyers tapering off their purchases and younger buyers continuing to collect. “The resistance from older collectors is still there,” says Anders Petterson, founder of analytics firm ArtTactic.  “When there is no physical art world, how do you substitute that experience?” he added. “Younger people are a lot quicker to adapt.”
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Unrest Over Killing of George Floyd Forces Museums to Address Institutionalized Racism

June 9th, 2020

A piece in the New York Times charts pressure on institutions to address problems of systemic racism and injustice in their organizations, collections and programs, following the social unrest caused by the killing of George Floyd at the hands of the police.  “I do not think art museums have done enough,” says Chris Anagnos, executive director of the Association of Art Museum Directors. “We have dabbled around the edges of the work, but in our place of privilege we will never live up to the statement that ‘museums are for everyone’ unless we begin to confront, examine and dismantle the various structures that brought us to this point.”
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Art Basel Cancelled

June 9th, 2020

Art Basel has completely cancelled the 2020 edition of its fair in the Swiss town, after an attempt to move the fair’s dates to September.  “While there are signs of hope as individual countries are coming out of lockdown, the global situation remains precarious, and, unfortunately, too many uncertainties remain to go ahead with the fair,” the organization said in a statement. “These include the health risks posed by large gatherings, the limitations on intercontinental travel, and the unclear Swiss regulatory environment for shows of Art Basel’s size. Given these uncertainties, we believe that the best option concerning the Basel show is to focus on next year’s edition and delivering a fair of the exceptional international quality that the artworld expects.”
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