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New York — “Serialities” at Hauser Wirth Through April 8th, 2017

Friday, March 31st, 2017

Los Angeles – Isa Genzken: “I Love Michael Asher at Hauser Wirth & Schimmel Through December 31st, 2016

Monday, December 26th, 2016

Hauser Wirth & Schimmel Makes Preservation Efforts on Property’s Murals

Thursday, March 10th, 2016

Hauser Wirth and Schimmel Gallery Profiled by LA Times

Monday, February 8th, 2016

Hauser Wirth and Schimmel to Open This March with Show of Female Sculptors

Friday, November 27th, 2015

Hauser Wirth and Schimmel Announces Opening Date

Friday, September 11th, 2015

Randy Kennedy Leaving New York Times to Direct Special Projects for Hauser & Wirth

Thursday, April 13th, 2017

Hauser & Wirth Now Represents Lorna Simpson

Tuesday, April 4th, 2017

New York — Jack Whitten at Hauser & Wirth Through April 8th, 2017

Monday, April 3rd, 2017

Paul Schimmel Leaves Hauser & Wirth in Los Angeles

Saturday, February 25th, 2017

Hauser & Wirth Representing Estate of August Sander

Friday, February 10th, 2017

Zurich – Henry Moore: “Myths and Poetry” at Hauser & Wirth Through March 11th, 2017

Sunday, February 5th, 2017

London – Ken Price: “A Survey of Sculptures and Drawings, 1959 – 2006″ at Hauser & Wirth Through February 4th, 2017

Saturday, January 21st, 2017

New York — Philip Guston: “Laughter in the Dark” at Hauser & Wirth Through January 28th, 2017

Friday, January 20th, 2017

New York – Rita Ackermann: “Kline Rape” at Hauser & Wirth Through January 14th, 2017

Wednesday, January 4th, 2017

New York – Paul McCarthy: “Raw Spinoffs Continuations” at Hauser & Wirth Through February 4th, 2016

Wednesday, December 28th, 2016

New York — Mike Kelley: “Memory Ware” at Hauser & Wirth Through December 23rd, 2016

Friday, December 23rd, 2016

Somerset – Louise Bourgeois: “Turning Inwards” at Hauser & Wirth Through January 1st, 2017

Monday, November 21st, 2016

Hauser and Wirth to Represent Estate of Arshile Gorky

Monday, October 3rd, 2016

New York – Rashid Johnson: “Fly Away” at Hauser and Wirth Through October 22nd, 2016

Sunday, September 18th, 2016

Zürich – “Schwitters Miró Arp” at Hauser and Wirth Through September 18th, 2016

Thursday, September 1st, 2016

New York — “A Modest Proposal” at Hauser & Wirth Through July 29th, 2016

Sunday, July 24th, 2016

London – Guillermo Kuitca at Hauser & Wirth Gallery Through July 28th, 2016

Thursday, June 16th, 2016

Hauser and Wirth to Set Up Shop at Former Dia Chelsea Building

Monday, June 13th, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Frances Stark Profiled in The Guardian

April 25th, 2017

Frances Stark, via GuardianFrances Stark is profiled in The Guardian this week, in which she discusses the state of the contemporary art world, and her recent work orchestrating a version of the Magic Flute for a group of student performers.  “One of the reasons I got really enamored with the Magic Flute,” Stark says, “is that I watched the Ingmar Bergman version with my son, when he was four or five. He was too young to read the subtitles, so I read them to him. When the movie was over – and this is a long opera – he said, ‘Can we watch it again?’” 
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Robert Rauschenberg Profiled in New York Review of Books

April 25th, 2017

Robert Rauschenberg: Persimmon, 1964; from Rauschenberg’s series of oil and silkscreen-ink print paintings in which, Jed Perl writes, ‘photographs of President Kennedy, crowded city streets, space travel, and a nude by Rubens come together to sThe New York Review of books has a lengthy profile on Robert Rauschenberg this week, as the artist’s landmark retrospective prepares to open at MoMA next month.  “I tend to see everything.” Rauschenberg once said, “I always wanted my work—whatever happened in the studio—to look more like what was going on outside the window.”
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Artist Banks Violette Interviewed in NYT

April 25th, 2017

Banks Violette, via NYTThe New York Times has a profile on Banks Violette, an artist who helped define the aesthetics of New York’s downtown art scene during the 2000’s, and who is currently preparing for a return to the art world with a show upcoming at Gladstone Gallery.  The piece traces the artist’s struggles with addiction, and the challenges of being immensely successful at such a young age.  “A lot of it was just being young, being in New York, suddenly having a bunch of attention, suddenly having packed openings, not being able to sleep and working 24 hours a day,” he says. “It wasn’t really even fun. It was more, ‘Hey, we’re super freaked out, let’s get high.’ ”
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