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New York — “Serialities” at Hauser Wirth Through April 8th, 2017

Friday, March 31st, 2017

Los Angeles – Isa Genzken: “I Love Michael Asher at Hauser Wirth & Schimmel Through December 31st, 2016

Monday, December 26th, 2016

Hauser Wirth & Schimmel Makes Preservation Efforts on Property’s Murals

Thursday, March 10th, 2016

Hauser Wirth and Schimmel Gallery Profiled by LA Times

Monday, February 8th, 2016

Hauser Wirth and Schimmel to Open This March with Show of Female Sculptors

Friday, November 27th, 2015

Hauser Wirth and Schimmel Announces Opening Date

Friday, September 11th, 2015

Michelle Obama Portrait Artist Amy Sherald to Join Hauser & Wirth

Tuesday, March 20th, 2018

New York — Allan Kaprow: “Paintings New York” at Hauser & Wirth Through April 7, 2018

Saturday, March 17th, 2018

Hauser & Wirth to Represent Zeng Fanzhi

Sunday, March 11th, 2018

New York – Fabio Mauri: “With Out” at Hauser and Wirth Through April 7th 2018

Tuesday, February 20th, 2018

Los Angeles – Mike Kelley: “Kandors 1999 – 2011″ at Hauser & Wirth Through January 21st, 2018

Tuesday, December 26th, 2017

Mark Bradford to Open Program at Hauser & Wirth Hong Kong

Friday, December 22nd, 2017

New York – Arshile Gorky: “Ardent Nature: Landscapes 1943-47″ at Hauser & Wirth Through December 23rd, 2017

Thursday, December 21st, 2017

Los Angeles — Ellen Gallagher: “Accidental Records” at Hauser & Wirth Through January 28th, 2018

Monday, December 18th, 2017

New York – Geta Bratescu: “The Leaps of Aesop” at Hauser and Wirth Through December 23rd, 2017

Monday, December 4th, 2017

London – Marcel Broodthaers: Un Jardin D’Hiver at Hauser & Wirth Through November 18th, 2017

Monday, November 13th, 2017

Hauser & Wirth to Open Space in Hong Kong

Friday, September 22nd, 2017

Florence Derieux Joins Hauser & Wirth as Director of Exhibitions

Wednesday, September 20th, 2017

Los Angeles – Monika Sosnowska at Hauser & Wirth Through September 17th, 2017

Saturday, September 9th, 2017

New York — Philippe Vandenberg Is On View at Hauser & Wirth Through July 28, 2017

Friday, July 28th, 2017

New York: Roni Horn at Hauser & Wirth Through July 29th, 2017

Monday, July 17th, 2017

Fondazione Piero Manzoni to Move Representation to Hauser & Wirth

Friday, June 9th, 2017

Los Angeles – Jason Rhoades: “Installations, 1994 – 2006″ at Hauser & Wirth Los Angeles Through May 21st, 2017

Friday, May 19th, 2017

Hauser & Wirth to Host Film Series on Rooftop in Chelsea This Summer

Friday, May 19th, 2017
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Peter Halley, Barbara Bloom, Ashley Bickerton, Joan Wallace and Jeff Koons Talk 1980’s LES Art Scene in NYT

April 20th, 2018

Artists outside Katzs, via NYTPeter Halley, Barbara Bloom, Ashley Bickerton, Joan Wallace and Jeff Koons get together for a piece in the New York Times this week, dining at Katz’s and discussing the 80’s scene downtown. “SoHo had this hierarchy and the gallery structure, but when all these artists opened these fresh, young galleries, there was no hierarchy there,” Koons says of spaces in the Lower East Side. “It was really about showing exciting works. Things weren’t set up as business-oriented. I went through some of the SoHo galleries, but I was never completely accepted there. And as outsiders we finally had a place where we were embraced.”
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Tate Seeking Young Trustee for Museum Leadership

April 20th, 2018

tate, via Art NewspaperThe Tate is looking to appoint its first trustee to represent the interests of people aged 16-25, and will lower prices for younger visitors, the Art Newspaper reports. Tate head Maria Balshaw is reportedly seeking “a cultural entrepreneur and digital native” to help represent the interests of a new generation at the museum.
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Tate Archives Showcases Founding of New Outposts

April 20th, 2018

Tate Modern, via New YorkerThe newly opened Tate archives get a spotlight in the Art Newspaper this week, profiling the struggle and logistics behind opening the Tate Britain and Tate Modern as separate branches of the same institution. “I was always worried about appearing isolationist in regard to British art,” the piece quotes former Modern head Nicholas Serota. 
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