van Gogh’s “Ernte in der Provence” (1888), at Kunstmuseum Basel.

The Kunstmuseum Basel is currently showing works by the master painter Vincent van Gogh.  Seventy paintings, both better- and lesser-known, are featured in this first large-scale showing of exclusively landscape works by the artist.  The van Gogh paintings will be accompanied by a biographical video on the artist as well as forty landscape pieces by his contemporaries.  The intended result gives patrons a look at van Gogh’s contribution to the evolution of technique and concept in landscape work. The show closes on September 27.

Related links:
Kunstmuseum Basel
Switzerland’s art blockbuster of the year: Van Gogh landscapes [GenevaLunch]

Vernissage has video of the exhibition.

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Gilbert & George’s ‘Great Expectations,’ via MoMA

On view through October 5, 2009 at the Museum of Modern Art in New York is ‘In & Out of Amsterdam: Travels in Conceptual Art, 1960-1976,’ an exhibition that examines the beginnings of conceptualism and the role that international travel – in this case, particularly between Amsterdam and Los Angeles – played in shaping the movement. The exhibition includes ten American and European artists, from heavy-hitters such as Sol LeWitt and Lawrence Weiner, to the mythologized, like Bas Jan Ader and Stanley Brouwn, to lesser-known and peripheral figures such as Charlotte Posenenske. The focal point is the now-defunct but highly influential Amsterdam gallery Art & Project. Founders Geert van Beijeren and Adriaan van Ravesteijn gifted the museum 230 works in 2007, which make up the majority of the 75 works that appear in the exhibition.

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Sol LeWitt’s ‘Area of Amsterdam Between Leidseple Jan Dibbets’s House and Kunstijsbaan Jaapeden,’ via MoMA

Related Links:
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In & Out of Amsterdam: Travels in Conceptual Art, 1960–197 [MoMA]
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MoMA Trumpets Amsterdam’s Role as Hub of Conceptual Art [Art21]
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Amsterdam as Hub for Globetrotting Conceptualists [NY Times]
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Conceptual Motion [New Yorker]
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Whatsits and Thingamabobs [NYObserver]
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In & Out of Amsterdam: Travels in Conceptual Art, 1960 – 1976 [ScribeMedia Art Culture]
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In & Out of Amsterdam at the Museum of Modern Art [Art Critical]
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Conceptual artists from Amsterdam and Los Angeles go dutch at MoMA [TimeOut NY]
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Looking at MoMA’s “In & Out of Amsterdam” [Hrag Vartanian]
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On Text & Art [Jen Bekman]
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Stunning and Flat [After Art News]

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Bas Jan Ader’s ‘Art & Bulletin 89,’ via MoMA

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“Ruth Smoking #2” (2006) by Julian Opie. Via Art4Presents

The new work of Julian Opie is currently showing at A and D Gallery in London, UK. Dabbed as “Hoxton’s answer to Warhol,” Opie achieved his early success in 1983 when Lisson Gallery featured his first solo exhibit, thus paving the way for the fellow British contemporary artists such as Damien Hirst to take the art scene by storm. His quirky and highly stylized portraits are created to reflect the high speed lifestyles of its subjects.  The show is a continuation of Opie’s study and will be showing until September 14th, 2009.

Related Links:
Artist & Sculptor: Julian Opie [A and D Gallery]
Opie of the Masses [Tatler]
Julian Opie [Julian Opie]
Julian Opie 1958, UK [Artfacts]

Julian Opie via Artfacts

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Detail view Critical Mass II, Antony Gormley’s work exhibited currently at Kunsthaus Bregenz

Four major installations by a British contemporary artist Antony Gormley, made over the last fifteen years, are presented at Kunsthaus Bregenz. Body and Fruit, Allotment, Critical Mass and Clearing are works currently showing in the Austrian exhibition space. The latter four series by Antony Gormley all explore the artist’s favored themes: body, memory and self-knowledge. The dialogue aroused when these themes involve the viewer becomes an essential part of Gormley’s art. “Every experience in some way is given depth by previous experience” A.Gormley. The show runs through October 4, 2009.

Related Links:
Antony Gormley, Kunsthaus Bregenz, Austria [Antony Gormley]
Antony Gormley [Kunsthaus Bregenz]
Bregenz Art Museum [Interior Design]
Antony Gormley at Kunsthaus Bregenz [Vernissage TV]
Antony Gormley [White Cube]

Antony Gormley at Kunsthaus Bregenz via Vernissage TV

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Kate Levant compromised an exhibit at Zach Feuer Gallery in New York.  Having opened July 16 2009, the exhibition closed September 4.  Last two days of the duration of the show turned Zach Feuer Gallery into a space where Blood Drive was conducted. A Yale MFA student, Kate Levant assembled works by six artists: Noel Anderson, BOBO, Brian Faucette, Michael E. Smith, Elaine Stocki and Jacques Vidal. The show received amount of press coverage unusual for an artist still in school.

Related Links:
Blood Work [New York Magazine]
There Will Be Blood [ArtInfo]
Studio Visit/Group Shows [The New York Times]
Blood Art Sex Magik Too Hot For Yale [Gawker]
Kate Levant: Blood Drive (bio, press release) [Zach Feuer Gallery]
Kate Levant’s “Blood Drive” at Zach Feuer [James Wagner]

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A recent work by Takashi Murakami via Galerie Emmanuel Perrotin

This morning in Paris, during event to promote the launch of a show of work on September 13th by French pop artist Xavier Veilhan at Château de Versailles, the Versailles museum director Jean-Jacques Aillagon announced to the Associated Free Press that Japanese artist Takashi Murakami had been chosen to appear at the venerable institution in 2010.  Murakami is often described as the “Japanese Warhol” due perhaps to his Pop art style and extremely prolific production of work.  Of course another artist often described in this way is Jeff Koons, who in the winter of last year displayed many of his significant sculpture pieces at Versailles, which though iconic as contemporary art, were perhaps incongruous to that particular location.

Though the Jeff Koons in Versailles show last year was generally concluded to be both a successful and well attended exhibition, with almost 1 million visitors attending, it did garner significant controversy.  Prince Charles-Emmanuel de Bourbon-Parme, a French aristocrat in the line of succession to the French throne and a descendant of the palace’s original creator, Louis XIV, mounted a high profile legal challenge to the installation, which ultimately failed.  Prince Charles-Emmanuel cited the Koons exhibition as “pornographic.”  As Takashi Murakami is also known to produce relatively illicit subject matter in his art this exhibit may as well stir up some ire with French traditionalists.

Takashi Murakami is soon to have simultaneous solo exhibitions this month in both Gagosian Gallery in Chelsea on September 17th, New York and at Galerie Emmanuel Perrotin in Paris on September 15th.

Related Links:
Japanese pop artist to exhibit in Versailles [AFP]

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On September 3, 2009 Deitch Projects hosted openings for two shows that will run concurrently till mid October and end of September. In the gallery’s space at 18 Wooster Street an exhibition  of Tauba Auerbach’s works will run through October 17, 2009. Titled “HERE AND NOW/AND NOWHERE” the show is comprised of paintings, sculptures and photographs by the artist. At the center of the gallery is a musical instrument,”Auerglass”, an organ for two. It is conceived by the artist and her friend Cameron Mesirow- a musician from the Glasser band. The organ requires two people to play. Each of the two players gets every other note. An opening Glasser performance will be held on September 11th at Deitch Projects and will be consequently held at 5p.m. for the duration of the show.

Related Links:
Tauba Auerbach HERE AND NOW/AND NOWHERE [Deitch]
Tauba Auerbach and Glasser at Deitch [xlr8r]
Tauba Auerbach [Tauba Auerbach]

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via The World’s Best Ever

Two openings at Deitch took place September 3, 2009. In the smaller space on Grand Street in New York were presented works by Kehinde Wiley, an African-American artist known for paintings of contemporary hip-hop trend setters. His painting style is sophisticated and reminiscent of traditional portraitists works. However, in Kehinde Wiley’s current exhibit titled “Black Light”, one encounters a new path that the artist has taken in exploration of photographic medium.  Still using historically rooted references, he creates portraits of often religious connotations apparent in the positioning of the subject depicted and in the very scale of the work. Kehinde Wiley, thus, transforms the subcultural stereotypes of urban African-American icons to a fantastical realm. “Art is illusion” he comments. The exhibit runs through September 27, 2009.

Related Links:
Kehinde Wiley [Kehinde Wiley]
Heroic Hip-Hoppers [Village Voice]
Kehinde Wiley is the LeBron James of the Art World [Dime Magazine]
Kehinde Wiley’s “Black Light” opens at Deitch [Papermag]
Kehinde Wiley at Deitch [The World’s Best Ever]

The artist, Kehinde Wiley at Deitch opening of his show “Black Light”

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Richard Wright’s ‘Untitled’ via Gagosian Gallery

On view now at Gagosian Gallery’s Davies Street location in London is an exhibition of the work of Richard Wright, one of four artists shortlisted for this year’s Turner Prize. The highlight of the show is a site-specific painting on the ceiling made with silver leaf. Many of Wright’s works are created in situ, responding to  the architectural layout, often working with overlooked places, with the overall design of the work evolving until its completion. The exhibition also includes a number of works on paper.

Richard Wright [Gagosian Gallery]
Turner Prize 2009: Richard Wright [Tate]
Gagosian Gallery Exhibits Richard Wright [Huliq]
EXHIBITION: Richard Wright [Digital Arts]

Installation view of Richard Wright’s untitled ceiling work, via Gagosian Gallery

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“Camp Forestia” (1996) by Peter Doig. Via NY Times.

On view now until early 2010, the Museum of Modern Art (MoMA) has opened the Judith Rothschild Foundation Contemporary Drawings Collection, which was originally acquired in 2005. The exhibit features over 2,500 contemporary works and surveys “various methods and materials within the styles of gestural and geometric abstraction, representation and figuration, and systems-based conceptual drawings.” Artists showcased in the exhibition include Lee Bontecou, Joseph Beuys, Donald Judd, Hanne Darboven, Elizabeth Peyton, John Currin, Amelie von Wulffen, Mona Hatoum, Lucy McKenzie, Paulina Olowska, Nate Lowman, and more.

“Untitled” by Kai Althoff (2004). Via NY Times.

Related Links:
Compass in Hand: Selections from The Judith Rothschild Foundation [MoMA]
Video – Compass in Hand: Curator Christian Rattemeyer discusses the exhibit [MoMA]
MoMA Pushes the Envelope in Works on Paper [NY Times]
Compass in Hand: Selections from the Rothschild Foundation [Art in America]
Compass in Hand: Art Review [ArtSlant]

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A visitor looks through two holes in a wooden door to Étant donnés, the Marcel Duchamp masterpiece behind it and the subject of a new show at the Philadelphia Museum of Art. Image via the Philadelphia Inquirer.

Through November 29, 2009, the Philadelphia Museum of Art is showing works by the late master Marcel Duchamp. Almost 100 works of art related to the artist’s Étant donnés are featured in this celebration of the 40th anniversary of the piece’s unveiling at the Museum, which has hosted it since 1969. Drawn mostly from the museum’s holdings, the show also includes works on loan from public and private holdings in Germany, Israel, France, Sweden, and the United States.

Related links:
Given, Finally [artnet]
Philadelphia Museum of Art
Landscape of Eros, Through the Peephole [New York Times]
A peek into Duchamp [Philadelphia Inquirer]
Duchamp’s Secret Masterpiece [Wall Street Journal]

Interior view of Marcel Duchamp’s Étant donnés, at the Philadelphia Museum of Art. Image via the Wall Street Journal.

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The U.S. Pavilion at Venice Biennale bearing a neon piece by Bruce Nauman via Contemporary Art Daily

Currently representing the US at Venice Biennale are works by Bruce Nauman. Titled “Topological Gardens” the show breaks the physical boundaries of US Pavilion extending its presence to the outside of the exhibition space and occupying additional two sites in Venice.  The official US entry at the 53d Venice Biennale is organized by the Philadelphia Museum of Art and is comprised of Bruce Nauman’s works created over the course of past forty years. The three exhibition sites include: the United States Pavilion, Universita IUAV and the Universita Ca’ Foscari. The Venice Biennale will be conclude November 22, 2009.

Related Links:
Bruce Nauman: Topological Gardens [Nauman in Venice]
Bruce Nauman: Topological Gardens/ US Pavilion/ 53d Venice Biennale 2009 [Vernissage TV]
Bittersweet Cacophony [Artnet]
Bruce Nauman Chosen for Venice Biennale [The New York Times]
Bruce Nauman: The man who would not be king [Modern Painters via Sperone Westwater]
Official Awards of the 53d International Art Exhibition [La Biennale di Venezia]

Bruce Nauman: Topological Gardens/ US Pavilion/ 53d Venice Biennale 2009 via Vernissage TV

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Zhang Huan, Zhu Gangqiang No.6, via White Cube

An exploration of memory, spirituality and hope through the miraculous survival of a pig is being conducted at London’s White Cube by Chinese performance and visual artist Zhang Huan. The show is based around one of the greatest natural disasters to hit China in recent memory. In May 2008, an earthquake reaching magnitude of 8 on the Richter Scale killed 60,000 people. Amongst the chaos, for 49 days, a pig persevered. Carried by Buddhist belief that the soul remains on earth between death and transmigration for exactly this amount of time, this pig is now a symbol of life and hope, renamed Cast-Iron Pig (or Zhu Gangqiang in Chinese, hence the theme of the show).

Related Links:
Exhibit Details [White Cube]
Zhuang Huan to design and direct a new production of Handel’s Semele [De Munt La Monnaie]
These Little Piggies Went to Art Show [London Evening Standard]
Zhang Huan: from Baroque to Beijing [Telegraph]

Zhang Huan, Zhu Gangqiang No.0, via White Cube

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Oskar Kokoschka, “Rudolf Blümner” (1910), part of a new show of the artist’s works at Neue Galerie New York.

Neue Galerie New York is currently showing six oil paintings and 40 drawings by the late Oskar Kokoschka.  All works are drawn from the museum’s holdings, and will be on display through October 5.  “Focus” runs concurrently with the Neue Galerie’s “Selections from the Permanent Collection,” which shows works that comment on the political and social changes in post-WWI Germany.

Related links:
Neue Galerie New York
Oskar Kokoschka – Modernity Met With Hope and Despair at the Neue Galerie [New York Times]
Viennese Culture on the Skids [New York Observer]

Oskar Kokoschka, “Martha Hirsch (Dreaming Woman” (1909), at Neue Galerie.

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Grobere Baume bei Warter (2008) by David Hockney, via Kunsthalle Wuerth

Currently on view at the Kunsthalle Wurth Museum in Schwabisch Hall, Germany, is “Just Nature” featuring David Hockney’s most recent work. Contrary to previous assertions, the exhibition highlights his rediscovery of the beautiful landscapes of his hometown of Yorkshire.  Best known for his work as an experimental painter, these works emphasize his newly found enthusiasm for natural scenes.  Even while masterfully mixing realistic yet simple renditions of the natural world, these works still continue to question the potential of painting.  There seem to remain hints of his earlier paintings renowned for their ability to capture the conceptual and the everyday so well. 

David Hockney: Just Nature [Exhibition Page]
David Hockney and his so-called computer art [TimesUK]
David Hockney Shaves, Doodles with his iPhone: Martin Grayford [Bloomberg]
Hockney on why iPhones are the future for art [TimeUK]
Hockney Pictures [Hockney Pictures]

Gefallte Baume in Woldgate (2008) by David Hockney, via Kunsthalle Wuerth

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Installation view of Joseph Beuys’ works at the De La Warr Pavilion via De La Warr Pavilion

In honor of his inclusion in the Artists Rooms collection (of the Galleries of Scotland and the Tate), one of the most influential German artists, Joseph Beuys, is featured in a new exhibit in East Sussex. The show is comprised of his drawings and paintings, which, when paired with his sculptures, serve to give more dimension to his body of work.  Joseph Beuys’ classic pieces, constructed of found objects and his notable natural material choices of metal, felt and fat, are on view at De La Warr Pavilion in Bexhill.  The show will be over September 27, 2009.

Related Links:
Event Detail [De La Warr Pavilion]
Beuys is Here [The Independent]
Fat, Felt and Hope [Financial Times]
Exhibitionist: The Best Art Shows to See This Week [The Guardian]
Beuys Is Here: Artist Rooms [Time Out London]

Joseph Beuys at De La Warr Pavilion

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Judith Supine, Above the City in a Summer Night Dream via Wooster Collective

Judith Supine installs his “Above the City in a Summer Night Dream” on top of the Williamsburg Bridge in New York [Wooster Collective]
Ryan McGinley writes on Dash Snow in Vice Magazine [Vice via Art Fag City]
India’s contemporary art “superstar,” Subodh Gupta, before his first UK solo show at Hauser & Wirth, speaks of his Western influences [Financial Times]
In related, The Economist discusses the state of Indian Contemporary art with a summary of the International Art Fair in Delhi [Economist]

Julien Fronsacq (Palais de Tokyo, Paris), Olivier Sailliard (Musée de la Mode et du Textile, Paris),and Hans Ulrich Obrist (Serpentine Gallery, London) model for Yohji Yamamoto’s Y, via ArtJetSet

The spring lookbook for Yohji Yamamoto’s Y features curators as models [ArtJetSet]
Gagosian Gallery sues Lufthansa and Art Crate Inc. over the destruction of a 1969 Brice Marden painting worth $3 million [NY Times]
Russian artist, Presniakov, to sue Hilton heiress for failing to pay $10 million for his artwork [Reuters]
Meanwhile a Moscow dealer sues Luhring Augustine over George Condo paintings [Bloomberg]
Graffiti charges against Yoshitomo Nara dropped after 6 months of proper behavior [Artforum]
The Norton Simon Museum’s ‘Adam’ and ‘Eve’ become the center of a legal battle after an heir to the work claims the paintings were looted by the Nazis [LA Times]

Gavin Turk’s ‘Brillo 5’ a bronze sculpture of a cardboard box for sale via Christie’s

Christie’s announces its First Open Sale of Post-War and Contemporary Art, scheduled for September 23rd [Artdaily]
LA art gallery Blum and Poe expands its gallery into a new space launching October 2 in related both Sotheby’s and Christie’s downsize their LA operations [Lindsay Pollock]
Christie’s converts an icon Brooklyn warehouse into a rigorously guarded storage space [The New York Times]
With 372,000 visitors, the Frank Lloyd Wright exhibit was the most attended show in the Guggenheim Museum’s history [NY Times]
In related, Banksy’s guerilla Bristol Museum show reaches over 300,000 visitors [Guardian]

Posters for the New York Minute exhibition at Macro in Rome via OHWOW

An interview with Charles Saatchi, who is releasing a book on September 8th detailing his experiences as an art collector [Guardian]
Daniel Richter leads a protest against the demolition of artist studio and gallery space in Hamburg [Artinfo]
Moscow International Biennale for Young Art- an ambitious art initiative announces call for applications [Art Daily]
AMR- a new index by analysts for tracking prices aimed solely on post-war art is created [Financial Times]
The Scotsman Steps built in 1899 will become a panel for famous contemporary artist- Martin Creed’s installation [News Scotsman via ArtInfo]
A painting uncovered in Iraq is picked up by the media as a Picasso but is likely inauthentic [ArtMarketMonitor]

Pipilotti Rist via Panache

The Gucci Group award, previously awarded to artists including Steve McQueen and Julian Schnabel, has announced its 4 nominees, among which is artist Pipilotti Rist [Vogue]
This year’s Frieze Music Presentation will be a performance choreographed by artist Martin Creed [Frieze]
In response to LACMA’s decision to end its long standing weekend film program, two outside organizations step in with $150,000 pledge in an attempt to save it [Los Angeles Times]

Skewville wooden sneakers via C-Monster

The ubiquitous Skewville wooden sneakers have online documentation [Skewville via C-Monster]
The latest V magazine profiles 6 projects presented at the 53d Venice Biennale, including those by Tauba Auerbach, Aurel Schmidt, Dan Colen and the late Dash Snow [V magazine]
Art exhibitions to see this fall as suggested by New York art critic Jerry Saltz [Artnet]
The values of art related financial indexes increase as the market is possibly recovering [ArtInfo]
Townhouses restored and owned by photographer Annie Leibovitz could potentially cure her $24 million loan obligations to Art Capital Market [Bloomberg]

Nils Folke installation via Phillips De Pury

Phillips De Pury & Co installs sculptures by Nils Folke in its windows to be viewed from High Line park in New York [Phillips De Pury]
Newly created Arts Editor role at the BBC News is being assumed by Will Gompertz who is the current Director of Tate Media at the Tate [BBC]
This year’s Vanity Fair 100 includes art world figures Bernard Arnault (#10), François-Henri Pinault (#20), Miuccia Prada (#40) and Jean Pigozzi (#74) [Vanity Fair]
Ed Ruscha will receive the Artistic Excellence Award from the National Arts Awards on October 5, 2009 [Americans For The Arts]
The Guardian investigates the art scene in Moscow complete with the listing new exhibition spaces [Guardian]

George Baselitz, Kulakentrstung via Galerie thaddaeus Ropac

Currently showing at the Thaddaeus Ropac Gallery is an exhibit of Georg Baselitz’s works.  The exhibit takes place in the Salzburg gallery and is comprised of 13 works on canvas, a sculpture and watercolors. Baselitz, although in his 70s, is still a prominent and active figure in the International art scene. One of the most important German artists, Baselitz has caused a stir throughout his career with the politically controversial work he creates. Returning to Thaddaeus Ropac Gallery this year Baselitz shows examples of his art that comment on the fall of political protagonists. The show titled: “Verdunkelung [Collusion] ” is over September 19, 2009.

Related Links:
George Baselitz [Galerie Thaddaeus Ropac]
Current Viewing: Georg Baselitz: Verdunkelung: Galerie Thaddaeus Ropac [The Imagist]
George Baselitz: Press Release [Galerie Thaddaeus Ropac]
George Baselitz: Remix (2008 exhibit at Galerie Thaddaeus Ropac) [Artinfo]
George Baselitz (bio) [Gagosian Gallery]

Georg Baselitz, Maler – Maler via Galerie Thaddaeus Ropac

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View of the exhibition Kazimir Malevich ‘Autobiography’ via Galerija Gregor Podnar

Kazimir Malevich’s ‘Autobiography’ is a documentary exhibition that traces the work of one of the most important artists of the 20th century until his death and after. We should not see the artifacts at this exhibition as works of art. Rather they are souvenirs, selected specimens of our collective memory.

-Walter Benjamin

Currently on view at the Galerija Gregor Podnar in Berlin is a show on Malevich’s art titled ‘Autobiography.’  However, it should be noted, that despite the press that the show has received that doesn’t seem to acknowledge the true nature of the exhibit, the works presented are only reproductions of Malevich’s Suprematist art.  They reveal the artist and his life and the way in which his art was perceived as a symbol of spiritual creativity as well as being material product for the art market. The exhibit is “several exhibits in one” as stated by a representative of the Berlin gallery. An artist, who does not wish to reveal his name, actually calls himself Malevich, and has traced Kazimir Malevich’s artistic path not only in reproducing his works, but also following his ideology.

Kazimir Malevich ‘Autobiography’ [Exhibition Page]
Kazimir Malevich ‘Autobiography’ [Artnet]
Artefacts of Malevich [Artslant]
Kazimir Malevich: Autobiography [Saatchi]

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‘Warriors. Four Films by Luke Fowler,’ installation view at X Initiative

Currently on view at the Dia Foundation’s former space in Chelsea is Phase Two of the X Initiative, featuring solo shows of three European artists: Keren Cytter, Luke Fowler, and Tris Vonna-Michell.  This is the first major solo show in the US for each artist, all of whom participated in the New Museum’s triennial earlier this year, ‘The Generational: Younger Than Jesus.’ Phase Two also includes ‘Today and Everyday,’ a group show that presents artworks in the context of a still life photograph, an installation, and lastly, a memento. X Initiative is a not-for-profit association of artists, curators, dealers, and other professionals led by dealer Elizabeth Dee, using the Dia space for one year, starting in March, as an alternative arts space.

X Initiative
Unspooling Time Loops [NY Times]
BOMB on the Inside: X Initiative [BOMB]
X Marks the Spot [V Magazine]

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Richard Long, Houston Circle via Sperone Westwater

Sperone Westwater, founded by an Italian art dealer Gian Enzo Sperone in 1975, represents both established and new cutting-edge artists. Currently showing at the gallery located in the West Village in New York is a group exhibit titled “Sculpture Show.”  Works by Bertozzi & Casoni, Malcolm Morley, Mario Merz, Tom Sachs, Richard Long, Bruce Nauman and others are currently showing at the “Sculpture Show.”  The exhibit runs through Friday September 4th.

Related Links:
Sculpture Show [Sperone Westwater]
Sperone Westwater [One Art World]
Bruce Nauman, Good Boy Bad Boy [Youtube]
Mario Merz (bio) [Mario Merz]

Wim Delvoye, D-11 Scale Model 2.0 via Sperone Westwater

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Installation view at MOCA LA of “Collecting History: Highlighting Recent Acquisitions” exhibit via TRYHARDER

Currently on view at MOCA, Los Angeles is a show titled “Collecting History: Highlighting Recent Acquisitions”  organized by Ann Goldstein- the Museum’s Senior Curator and Bennett Simpson- the Associate Curator of MOCA. The exhibit aims to showcase recent acquisitions to MOCA’s permanent collection – one that is renowned internationally for growing at a remarkable rate and presenting contemporary art from a variety of art movements. The exhibit “Collecting History: Highlighting Recent Acquisitions” focuses mainly on the works taken into the possession of MOCA LA within the last 5 years.  The show closes October 19, 2009.

Related Links:
Collecting History: Highlighting Recent Acquisitions [MOCA]
Collecting History: Highlighting Recent Acquisitions @ MOCA (part II) [TRYHARDER]
Collecting History [Selectism]

Installation view of “Collecting History: Highlighting Recent Acquisitions” via MOCA

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Pipilotti Rist, Film Still, via Hauser & Wirth

Pipilotti Rist’s ingenuity has materialized into her perfect living space at Hauser & Wirth.  Inside you’ll find a collaboration of elements that marry the domestic to music, lights, still images and lightboxes.  All are artfully finished with a sprinkling of video installations from her upcoming feature film Pepperminta.

Related links:
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Pipilotti Rist Show [Hauser and Wirth]
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Pepperminta Official Site
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Pipilotti Rist’s Site
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Pour Your Body Out [MoMA]

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Pipilotti Rist, Film Still, via Hauser and Wirth

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Sol Lewitt, Wall Drawing 821A, via MASS MoCA

The MASS MoCA has created a tribute to Sol LeWitt’s prolific body of wall drawings, selecting 105 of the more than 1200 to be recreated in its own building on site.  The ambitious project, funded by Yale University Art Gallery and MASS MoCA, was formed from conversations between the director of the Gallery and LeWitt himself. Patrons of the Gallery are h0ping the installation will be a massive asset to art education.  In accordance with this mission, podcasts are available for audio tours, and a book is being published in conjunction with the work entitled Sol LeWitt: 100 Views, which includes 100 new essays on his work from valued experts in the art world. New Yorkers will remember his exhibit which ended this summer at the MoMA, and his recent addition to the Subway. His art was part of a retrospective in 2000 by the San Francisco Museum of Modern Art, which traveled to the Whitney Museum of American Art in New York.

Related Links:
Sol Lewitt: A Drawing Retrospective [MASS MoCA]
Event Details [MASS MoCA]
Sol LeWitt, Massachusetts Museum of Contemporary Art [Financial Times]

More images, text and video after the jump…

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