Tracey Emin recently sat down with The New York Times for a brief interview, discussing aging, her current show at Lehmann Maupin, and the valuation of her work as a woman.  “My work rarely comes up in secondary market, so it means that my prices stay low. But I’ll tell you about my contemporaries — if I sold every single thing in my whole show, it is still not as much as one painting of my male contemporaries.”
Read more at The New York Times
