William Kentridge has planned a massive installation, Triumphs and Lamentations on the banks of the Tiber in Rome, power-washing its embankments to create a series of monumental images of war and its aftermath.  “Everyone’s triumph is someone else’s disaster,’ Kentridge said at a presentation of the frieze he would use as his plan for the work. “If you’re returning in triumph from a war, it means that other people are returning as slaves.” Read more at Art Newspaper

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