Piotr Uklanski is profiled in the NYT this week, as he opens a show of works at the Istanbul Biennial, which rework paintings of European men dressed up as Ottomans. “I have a long history of appropriation in my practice, and reinventing it in my own way,” he says.

Read more at NYT

This entry was posted on Thursday, September 26th, 2019 at 3:12 pm and is filed under Art News, Minipost, News. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.