A piece in the New York Times profiles Kara Walker’s commission at the Tate Modern, a reworking of the language of the Queen Victoria Memorial she first saw after her initial site visit to the museum. “I hadn’t even seen it before,” she says. “I took a bunch of pictures out the window, because I was like — this is so totally my thing.”

Read more at NYT

This entry was posted on Tuesday, October 1st, 2019 at 2:23 pm and is filed under Art News, Minipost, News. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.