How have artists discovered along the way informed your evolving cross-cultural perspective and fed into the conversations you hope to bring to the table amid London’s own political and social landscape?
Established as a platform for cultural exchange, Albion Jeune presents a diverse programme of exhibitions exploring topics from decolonization to climate impact and Web 3.0 by international artists of my generation. While these artists are celebrated in their own country, and often globally too, for many this will be their debut solo exhibition in London. The roster is a result of many years of friendships and dialogues.
How do you stay informed about the international art market, and where should passionate collectors turn for the most unbiased insights?
I stay informed through my network and schedule – attending biennales, watching the activity of a handful of curators I admire, and speaking with industry friends. It’s mandatory to turn to The Art Newspaper, the FT Art Market column, and Artnet to see what is being reported. Instagram can be useful.
Reflecting on your first year at Albion Jeune, what unexpected challenges or triumphs have shaped your approach, and what excites you most about the year ahead?
Albion Jeune provides a unique opportunity to collaborate with emerging artists and curators whose influence continues to grow. Excitement comes from sharing the risk of what an artist alchemises in their studio; curiosity and looking ahead are fundamental.
One of the most rewarding experiences is witnessing the artist’s success on the institutional stage. Ivana Baši?’s recent exhibition at the Schinkel Pavilion in Berlin and Esben Weile Kjær’s upcoming solo show at the Kunsten Museum of Modern Art in Denmark are two benchmark exhibitions.
London Installation View 2023
