The New Yorker profiles the Korean art group Tansaekhwa this week, as the group of post-war conceptualists prepare a selling exhibition of work split between Christie’s locations in New York and Hong Kong.  “I am unbelievably happy,” says included artist Ha Chong-Hyun. “I’m eighty-one years old. Back in the day, Koreans didn’t live this long. I shouldn’t be here. But to have this happen in my lifetime, I can’t be more thankful.”

Read more at New Yorker

This entry was posted on Wednesday, September 30th, 2015 at 8:15 pm and is filed under Art News, Minipost, News. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.