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Christies to Hold First Online-only Warhol Auction

Wednesday, January 30th, 2013

Art Hedge Fund, in Christies fraud scandal, struggles to stay afloat

Friday, May 2nd, 2008

Online Sales See Challenges Over Transparency

Wednesday, April 18th, 2018

Francis Bacon Dyer Portrait Estimated at $30 Million for Christie’s New York Sale

Thursday, April 12th, 2018

Daily Mail Reports on Regional Rivalry Causing Bidding Record for Da Vinci’s ‘Salvator Mundi’

Thursday, March 29th, 2018

Christie’s to Offer $70 Million Brancusi in May in NYC

Wednesday, March 28th, 2018

Marc Chagall Painting from National Gallery of Canada Features in Christie’s May Sale in New York

Thursday, March 22nd, 2018

Vincent Van Gogh Piece from Collection of Elizabeth Taylor Heads to Auction

Wednesday, March 21st, 2018

AO Auction Results – London: Phillips 20th Century and Contemporary Evening Sale, March 8th, 2018

Saturday, March 10th, 2018

AO Auction Results – London: Sotheby’s Contemporary Sale, March 7th, 2018

Thursday, March 8th, 2018

AO Auction Results – London: Christie’s Post-War and Contemporary Evening Sale, March 6th, 2018

Wednesday, March 7th, 2018

AO Auction Recap – London: Christie’s Impressionist and Modern Evening Sale, February 27th, 2018

Thursday, March 1st, 2018

AO Auction Previews – Impressionist/Modern and Post-War Evening Sales in London, February 27th – March 8th, 2018

Sunday, February 25th, 2018

Christie’s Guillaume Cerutti Interviewed in WSJ

Saturday, February 24th, 2018

$18 Million Jackson Pollock Drip Piece Announced for Christie’s London Sale

Monday, February 12th, 2018

Global Auction Sales Up 25%

Wednesday, January 17th, 2018

Bloomberg Reports on Two More Leonardo Da Vinci Works in Private Collections

Friday, December 22nd, 2017

American Collectors Rarely Sell Prized Works Once Purchased

Wednesday, December 13th, 2017

WSJ Reports Buyer of da Vinci’s ‘Salvator Mundi’ as Saudi Crown Prince

Friday, December 8th, 2017

Saudi Prince Reportedly Buyer of da Vinci’s ‘Salvator Mundi

Friday, December 8th, 2017

NYT Analyzes Market Impacts Caused by da Vinci Record

Tuesday, November 28th, 2017

Christie’s to Launch Standalone Sale of Works from Rockefeller Collection

Wednesday, November 22nd, 2017

Christie’s da Vinci Sale Explored in Art Market Monitor

Wednesday, November 22nd, 2017

Telegraph Notes Focus on Liquidity Energizing Recent Auctions

Wednesday, November 22nd, 2017
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Peter Halley, Barbara Bloom, Ashley Bickerton, Joan Wallace and Jeff Koons Talk 1980’s LES Art Scene in NYT

April 20th, 2018

Artists outside Katzs, via NYTPeter Halley, Barbara Bloom, Ashley Bickerton, Joan Wallace and Jeff Koons get together for a piece in the New York Times this week, dining at Katz’s and discussing the 80’s scene downtown. “SoHo had this hierarchy and the gallery structure, but when all these artists opened these fresh, young galleries, there was no hierarchy there,” Koons says of spaces in the Lower East Side. “It was really about showing exciting works. Things weren’t set up as business-oriented. I went through some of the SoHo galleries, but I was never completely accepted there. And as outsiders we finally had a place where we were embraced.”
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Tate Seeking Young Trustee for Museum Leadership

April 20th, 2018

tate, via Art NewspaperThe Tate is looking to appoint its first trustee to represent the interests of people aged 16-25, and will lower prices for younger visitors, the Art Newspaper reports. Tate head Maria Balshaw is reportedly seeking “a cultural entrepreneur and digital native” to help represent the interests of a new generation at the museum.
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Tate Archives Showcases Founding of New Outposts

April 20th, 2018

Tate Modern, via New YorkerThe newly opened Tate archives get a spotlight in the Art Newspaper this week, profiling the struggle and logistics behind opening the Tate Britain and Tate Modern as separate branches of the same institution. “I was always worried about appearing isolationist in regard to British art,” the piece quotes former Modern head Nicholas Serota. 
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