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Christies to Hold First Online-only Warhol Auction

Wednesday, January 30th, 2013

Art Hedge Fund, in Christies fraud scandal, struggles to stay afloat

Friday, May 2nd, 2008

Leonardo da Vinci Painting Inspires Mystery Over Depiction of Transparent Orb

Thursday, October 19th, 2017

New York Times Spotlights Challenges for Fall Auction Calendar

Tuesday, October 17th, 2017

Never-Before-Auctioned Léger Leads Christie’s Auction with $65 Million Estimate

Tuesday, October 17th, 2017

New York Times Profiles Efforts of Auction Houses to Stay Ahead of Game in Current Market Landscape

Sunday, October 15th, 2017

Christie’s to Offer Last da Vinci in Private Hands Next Month in New York

Wednesday, October 11th, 2017

AO Auction Recap – London: Christie’s and Phillips Contemporary and Post-War Evening Sales, October 6th, 2017

Sunday, October 8th, 2017

AO Auction Recap – London: Sotheby’s Contemporary Art Evening Sale, October 5th, 2017

Friday, October 6th, 2017

AO Auction Preview – London: Post-War and Contemporary Evening Sales, October 5-6th, 2017

Wednesday, October 4th, 2017

AO Preview – London: Frieze London and London Art Week, October 4th – 8th, 2017

Tuesday, October 3rd, 2017

Francis Bacon’s Last “Pope” Painting to Sell Next Month at Christie’s in London

Monday, September 18th, 2017

Lévy Taps Danqing Li to Head Up Shanghai Gallery Office

Thursday, September 7th, 2017

Francis Bacon Pope Painting to Star at Christie’s in London

Tuesday, September 5th, 2017

Italy Relaxes Art Export Laws

Saturday, September 2nd, 2017

Christie’s Moves Contemporary and Modern Middle Eastern Sales to London

Tuesday, August 1st, 2017

Private Sales Drastically Down at Christie’s

Monday, July 24th, 2017

AO Auction Results – London: Sotheby’s Contemporary Art Evening Sale, June 28th, 2017

Wednesday, June 28th, 2017

AO Auction Results – London: Christie’s Impressionist and Modern Evening Sale, June 27th, 2017

Wednesday, June 28th, 2017

AO Auction Results – London: Sotheby’s Actual Size Curated Sale and Impressionist and Modern Evening Sale, June 21st, 2017

Friday, June 23rd, 2017

Leonardo DiCaprio Offers to Turn Over Works Bought by Malaysian Financier Jho Low

Tuesday, June 20th, 2017

Rockefeller Art Collection Heads to Christie’s

Wednesday, June 7th, 2017

AO Auction Recap – New York: Christie’s Post-War and Modern Evening Sale, May 17th, 2017

Thursday, May 18th, 2017

AO Auction Recap – New York: Sotheby’s Impressionist and Modern Evening Sale, May 16th, 2017

Wednesday, May 17th, 2017
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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