The Guardian has a piece this week on the studio of conservators Hans Thompson and Maxwell Malden, and their practice working with both historical and contemporary art works. “We’d always worked together on freelance jobs,” Malden says. “We knew we’d work together at some point. We just didn’t think it would happen quite as quickly.”

Read more at The Guardian

This entry was posted on Monday, February 3rd, 2020 at 2:29 pm and is filed under Art News, Minipost, News. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.