Disbelief over the authenticity of the recovered ‘Caravaggio‘ drawings is further expressed by Italian scholars with a negation from Maria Teresa Fiorio, the former director of Milan’s Castello Sforzesco, stating “how can you attribute [so many of] Peterzano’s drawings to his young apprentice and how can you trash all previous research? That archive has been studied by many academics before me, and none of them ever detected Caravaggio’s hand.”
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