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AO Art Basel Miami Beach 2007 Coverage

Sunday, December 9th, 2007


Courtesy of AFC
The Art Observed Staff is enroute to New York. We will have full coverage of all the Miami Art Basel Events starting Monday. Check in for more updates on the various events surrounding Basel.

Newslinks for 12.7.07

Friday, December 7th, 2007


Michael Craig-Martin, Hearing Things, 2003 via Tate Modern

Christie’s Sale of Rubens, Old Masters, Shows Guarantee Risk [Bloomberg]
Craig-Martin, Damien Hirst’s Mentor, Makes Comeback at age 66 with Show at Gagosian, London [Bloomberg]
Guide to Art Fair Stereotypes [T]

Newslinks for 12.6.07

Thursday, December 6th, 2007

Debuting at Basel, James Westwood’s “Plywood Chateaux” via the Orlando Sentinel

Basel Alternatives – Breaking down the competitors [Newsmaker]
The best booth at Basel? [NY Mag]
Reliving the Swarm at Basel [Bloomberg]
Basel-opoly, are the prices for too high? [Miami Herald]
Uber VIP’s Private Showings [Portfolio]

Miami Art Basel: Deitch Party at the Raleigh featuring CocoRosie and The Voluptuous Horror of Karen Black

Thursday, December 6th, 2007

via Hustlers of Culture

Jeffery Deitch kicked off Basel last night with hybrid burlesque/proto-punk performance, Heaven and Hell, featuring CocoRosie and The Voluptuous Horror of Karen Black.

ArtLoversNY
WSJ

Images after the Jump

via AmyWilson

More pics to come…

Miami Art Basel: Page Six Outline of Events

Thursday, December 6th, 2007

Per Page Six:

“THE Art Basel convention in Miami this week has drawn planeloads of hard-partying New Yorkers. Tonight, Condé Nast and jeans company 7 for All Mankind co-host an event at the Ice House, while Cartier serves dinner at the Botanical Gardens and Jimmy Choo pours for the fashionistas at the Raleigh. Dennis Hopper will be at the Russia Miami exhibit organized by Jana Bullock and Hugo Boss. Tomorrow, Vanity Fair and MoMA hold a bash at the Shore Club, while Linda Evangelista hosts a dance party with Visionaire at the Florida Room. On Saturday, the event’s closing night, Russell Simmons and Allison Weiss Brady throw a benefit for the Rush Philanthropic Organization at Intermix, as Adidas stages a Y3 event in the design district. But the big invites for Saturday are the private dinner at Paul Wilmot‘s home and the soiree for Julian Schnabel and Lou Reed‘s flick “Berlin” at Set.”

Miami Art Basel: “Containers” featuring Iggy Pop

Thursday, December 6th, 2007


Courtesy of the Spider Awards

“Containers”, the series of Cargo Containers turned galleries, forming a miniature village, features young contemporary artists including new work from Ryan McGinness. Last nigh, for the opening of Basel, they held a free Iggy Pop performance at 10 pm. They have created an impromptu stage for Iggy out of the cargo containers as well.

Off the Radar
Sun Sentinel
ArtNet

Containers Images after the jump.

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The Vernissage Via Hikari

Wednesday, December 5th, 2007


Thomas Zipp on Paper – Via Hikari

Weather was clear and sunny the day the fair opened, many escaping the heat into the hordes of people who had purchased tickets or somehow found their way into the exclusive Vernissage, or opening of the fair. While some seem determined to close the details on any hot pieces that managed to make to the fair yet unsold (many pieces are sold to collectors before the galleries even make it to the fair) most seemed to just be milling around aimlessly. However there was a buzz in the air and excitement to see such masterpieces as Basquiats that were hidden for years in a private collection at Jan Krugier’s booth, a breathtaking 5 channel video piece by Doug Aitken at 303 Gallery’s booth and a performance utilizing a piece by Jim Shaw (performed by his assistant) complete with four armed electric guitar and burlap hooded cloak.

More Images post-jump
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Rubell Family Collection via Hikari

Wednesday, December 5th, 2007


Hernan Bas Painting via Hikari

A not to miss on the Miami Art Basel agenda, is the famous Rubell Family Collection. Displayed in the design district in a large, blockish, museum-esque building. While a private collection, there’s nothing private feeling about it, including the vacuous galleries, bookstore and several banners on light posts proclaiming its presence. It’s clear that the Rubell’s have contributed and shaped the contemporary art world as we know it.
(more…)

Newslinks for 12.5.2007

Wednesday, December 5th, 2007


Tank Inspired Bronze wins Inaugural Kandinksy Prize for Russian Contemporary Art [Bloomberg]
Gagosian’s Take on the Russian Art Scene [Men’s Vogue]
Britain to invest $100 Million into Tate Organization [Xinhuanet]
LA Contemporary Art Fair to debut January 2008 [Espaces]
Gap Founder to Open Contemporary Art Museum in San Francisco’s Presidio [SF Chronicle]

Whitney 2008 Biennial Artists Announced

Wednesday, December 5th, 2007


Image via tfaoi.com

On November 16th the 2008 Biennial Artists were announced. The curatorial team stressed a broader take on the American Art scene, moving away from the post-punk sway exhibited in 2006. This expansion primarily pertains to the genres and mediums covered within the biennial, not the physical number of artists, as there were 100 artists selected in 2006 compared with 81 for 2008’s Biennial. Also unique to the upcoming show, is the use of the Armory space on Park and 67th, primarily for perfomance and interactive exhibitions.
Headliners include John Baldessari, Robert Bechtle, Mary Heilmann, Michael Smith and Sherrie Levine.

ArtNews
Whitney.org
NYTimes
Full list of artists after the jump. (more…)

Art Observed in Miami for Basel

Wednesday, December 5th, 2007


Courtesy of the Naked Eye

Art Observed has multiple members of our staff currently enroute to Miami for Art Basel 2007. We will be updating the site live for the duration of the week. Check in for our latest posts. If you have any information you would like to pass onto us please e-mail us.

Pinar Yolacan at Rivington Arms

Tuesday, December 4th, 2007


via Rivington Arms

Turkish born, Brooklyn based Pinar Yolacan’s second solo show opened this evening at Rivington Arms on the lower east side tonight. Yolacan’s work features portraits of steadfast, unwavering females clothed in couture made of…animal parts. Yes, skin, claws, intestines, stomachs, are all “sewn” into garments, the undulations of flesh becoming ruffles, ruched, and lace. This show is entitled “Maria”, its Afro-Brazilian subjects are all inhabitants of Ithaparica, Bahia, a small island found off of the northeastern coast of Brazil. Yolacan has dressed them in hand made costumes that are reminiscent of colonial dress as worn by Portuguese slave masters. On top of the dresses, she drapes various “garments” frozen animal parts, which thaw as she shoots. By the end of the shoot, the meat is close to rotten and discarded while the images are left as a memory of her constructed identities – Yolacan stated in a style.com interview, “When you put on the clothes of another culture, it changes how you stand, how you feel, the gestures you make.”

Live Flesh via Style.com

Images from the opening after the Jump

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Turner Prize 2007 Awarded

Tuesday, December 4th, 2007


A still from Mark Wallinger’s Sleeper, via artnet.

On December 3rd 2007 Tate Britain awarded Mark Wallinger the 2007 Turner Prize for his video, “Sleeper.” Since 1984, the prize has been awarded annually to a top British Contemporary Art Exhibition of the previous year and is generally regarded as one of the top art honors in Europe. Past winners include Damien Hirst, Gilbert & George and Anish Kapoor. The exhibition is on display through January 18th at Tate Liverpool.

Bloomberg Article
Mark Wallinger [Tate]

More Details on Wallinger after the Jump: (more…)

Newslinks for 12.4.2007

Tuesday, December 4th, 2007


Photo via The New York Times

Should Galleries be Funding Their Artists’ Museum Shows? [NYT]
Influential Collector Opposes Miami Art Museum’s Plans for Herzog & de Meuron Building [ArtInfo]
‘Who’ Buys Old Masters’ on Sotheby’s and Christies December Auctions [Economist]
Scotland’s Art Minister Chides Tate Judges Over Turner Prize Runner-Up Coley [Scotsman]
Hirst, Bono, Compiling Worldwide Contemporary Collection for Aids Charity Campaign [Independent]

Banksy Does New York

Tuesday, December 4th, 2007


Photos: Christian Coleman for ArtObserved
“Banksy Does New York,” the first New York gallery show for British-born street-artist Banksy, opened this Sunday, December 2nd, at Vanina Holasek Gallery on West 27th Street.

Just this October more than 50 Banksy works went to auction at Bonhams and Sotheyby’s, both in London. Nearly all the works sold for at least double their top estimate. (more…)

Newslinks for 12.3.07

Monday, December 3rd, 2007


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Photo via The New Museum

Nicolai Ourousoff, Architecture Critic, on The New Museum [NYT]
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Video from Inside The New Museum [Gawker]
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Jeff Wall at White Cube, London [Guardian]
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Gallery Built Inside of a Napa Valley Mountain [NYT]
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Slew of New Galleries in Berlin [NYT]
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Rules for Buying Art [NYT]
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Eye of the beholder: Sephora’s finances; Analysts, company disagree on its outlook.(Statistical Data Included)

Advertising Age March 19, 2001 | Tsui, Bonnie Shoppers demand freedom, and cosmetics retailer Sephora aims to please. The sale of high-end brands such as Christian Dior and Dolce & Gabbana alongside the likes of Clinique, Hard Candy and Burt’s Bees speaks volumes about the direction in which luxury retailing, particularly beauty products, may be headed. Yet despite the investment parent company LVMH Moet Hennessy Louis Vuitton has poured into Sephora’s U.S. expansion, will the “open-sell” concept prove successful enough to ring up the profits?

One of the largest retailers of perfumes and cosmetics in Europe, Sephora made its move to the U.S. in 1998 with Sephora USA. Self-proclaimed as “the future of beauty,” Sephora stores allow customers to roam freely and sample products on an open floor without the interference of the sales clerks usually found at traditional department-store cosmetics counters. The brand and its online affiliate [Sephora.com] are units of the Selective Distribution Group of Paris-based luxury giant LVMH.

Sephora now has 461 stores in 12 countries, compared with 57 stores in France in early 1998; 17 stores opened in the U.S. alone in 2000. LVMH is looking to derive a third of its revenue from U.S. operations and is intent on extending retail networks here-particularly with Sephora. But analysts are not so sure about Sephora’s profitable expansion as LVMH’s own net profit growth falls short of forecasts.

2001 OUTLOOK LVMH reported 2000 earnings March 7, announcing a 27% rise in operating income to $1.82 billion. But slower sales growth reflected weakening currency in key markets Japan and the U.S. Net profit growth was squeezed to 4%, far short of the expected 22%; net profit of $787 million was stunted by the costs of heavy promotion of the Sephora cosmetics chain in the U.S. Last year’s acquisitions binge, which included the purchase of struggling beauty e-tailer Eve.com’s assets, also pressured profits. The group, however, asserted it will achieve “double-digit growth in sales and operating income” in 2001. LVMH does not break out sales and financial performance by unit. Stating the company is not yet ready to issue marketing plans, Sephora did not wish to comment at press time.

“There are differing opinions on whether or not Sephora is financially successful,” said Karen Young, chief executive officer of The Young Group, a beauty consulting firm. “Some industry people think they’re not doing well-there’s been a lot of speculation about it, which makes you ask what’s going on.” Analysts remain equivocal about LVMH and Sephora’s performance. On March 6, Goldman Sachs cut its earnings per share and share price targets for LVMH, due to the cost of investment in auction businesses and weakness in the yen and the U.S. dollar (Japan and the U.S. make up LVMH’s biggest consumer markets). The investment banking and securities firm said it estimated higher losses at the group’s dot-com units, which includes eLuxury.com, as well as at its Sephora retail stores in the U.S. LVMH took Sephora under its wing in 1997. here sephora coupon code

LVMH group Chairman Bernard Arnault confronted analysts and other market watchers with a positive air. “The first half will be affected by morose American sentiment, but each time we have gone through a period of uncertainty, we have made progress in relation to competitors,” he said. The only sign of slowdown for 2001’s first two months was not in the company’s luxury goods, he added, but in champagne-not surprising now that the millennial hoopla has died down. in our site sephora coupon code

LVMH also stated it continues to focus on investment activities for Sephora, claiming “accelerated sales growth” as “new store openings continued in key markets.” Operating costs, however, were just shy of breakeven for the selective retailing unit, and LVMH acknowledged investments in the Sephora store chains did negatively impact results.

`TREMENDOUS WAVES’ Despite the question of its financial profitability, Sephora has made a huge impression as a retail concept in the world of cosmetics-particularly with luxury goods, where exclusivity and personal attention have always reigned.

Initially, retailers were reluctant to give up the individual sell stance on cosmetics, which requires customers to ask for assistance. Most believed once a salesperson was “helping” a customer, he or she would be more likely to buy more product. Some analysts have described Sephora’s approach as the “Barnes & Noble” of beauty and makeup. Sephora has been heavily visible in promotions, most recently masterminding the first-ever Beauty Runway Show in last month’s “7th on Sixth” Mercedes-Benz Fashion Week in New York.

“Almost anyone in the industry that you ask would say that they’re making tremendous waves, the ripple effects of which are still not obvious,” said Suzanne Grayson, president of Grayson Associates, a marketing consultancy in the cosmetics and toiletries industry. “It’s not just the fact that it’s a great retail store with a huge selection, it’s the environment that is totally different.” Ms. Grayson cites exposure to all price points of merchandise and the ability to help yourself as key points in Sephora’s plan. “When you say `open sell,’ this is it to the ultimate degree … though department stores are moving in the direction of open sell to a large degree in cosmetics. And though what they’re doing is not necessarily because of Sephora, it’s a justification of the fact that Sephora’s model works.” “They’ve been a wake-up call to more traditional department stores, [which have] lost tremendous market share in the last 10 years in terms of cosmetics,” agrees Ms. Young, the beauty consultancy CEO. “But the funny thing is … for the most part, when you go into these renovated department stores, the atmosphere doesn’t feel any different. It’s the same sales approach they’ve been using for 30 years.” Sephora’s arrival, Ms. Young notes, has changed the landscape of the cosmetics shopping experience. “It’s much more user-friendly than a department store. But from a marketing standpoint…the final execution is not as well thought-out as it should have been. It may have been too rushed, trying to put so much in place so quickly.” From a consumer perspective, she added, Sephora’s second tier-meaning consumer amenities and stock depth-is weaker than that of many larger department stores.

A NEW MODEL FOR LUXURY?

Once Sephora arrived, however, retailers such as Macy’s West reorganized their beauty sections to mimic Sephora stores. In August 1999, Sephora USA filed suit against Federated Department Stores and Macy’s West for intentionally copying the look of its stores. The suit was settled in June 2000; terms were not disclosed. But the question of whether this kind of open sell environment could work for other luxury products is an interesting one.

Ms. Young, for one, thinks it can’t. “For cosmetics, [the Sephora model] works to be young, fun and spontaneous because it’s the nature of the beast,” Ms. Young said. With higher price points, however, there are higher expectation levels for a kind of service and atmosphere customers don’t expect at mass retail stores.

“To Americans, luxury typically includes something more, that some editing has already been done. With other luxury goods, you don’t expect an endless array, you expect that someone has set a taste level, complete with refined atmosphere and service.” COMING AD PUSH Lloyd & Co., New York currently is working on creative development for Sephora’s coming 2001 campaigns. The agency’s first work was done for an April 2000 Sephora.com print, radio and online campaign titled “The most beauty online.” The New York flagship store and site launched in October 1999 with a $20 million campaign from Omnicom Group’s DDB Worldwide, New York.

Sephora.com, meanwhile, faces its own set of challenges. For January 2001, the site received 237,000 unique visitors, according to Jupiter Media Metrix. LVMH’s eLuxury received only 92,000 unique visitors that same month. The tracking firm said luxury sites have not yet reached one million unique visitors per month, and beauty product sites have not performed well-fragrances and cosmetics fall near the bottom of a ranking of unique visitors to retail Web sites.

As for Sephora’s financial future, the picture is unclear. “I’ve heard from analysts that they will probably make $160 million to $200 million this year in business,” Ms. Young said. “Clearly, Sephora is in an investment spending mode. Right now, we’re all hovering over the body, waiting to see if money is being made. It might take a while to find out.” Contributing: Alice Z. Cuneo Tsui, Bonnie

New Museum Debuts on the Bowery

Monday, December 3rd, 2007

The New Museum opening on Friday night was a muted affair, not very much excitement or fanfare in the air, however it was the third “opening” event in a series of four that occurred every evening from Wednesday until Saturday when the museum was finally officially open to the public for a Target sponsored 30 hour run after which the museum will assume normal hours from 12-6 Weds, 12-10 Thurs. and Fri. and 12-6 Sat. and Sun.

The Gray Ghost of the Bowery: An unsentimental valentine from the New Museum [Ny Mag]

Full Details after the jump: (more…)

Newslinks for 11.27.07

Tuesday, November 27th, 2007

via Ellen Page Wilson/Courtesy of Gavin Brown’s Enterprise

Urs Fischer razes Gavin Brown’s Enterprise [NYMag]
Gert and Uwe Tobias opening 11.28 at MoMA
[MoMA]
Hong Kong Art Fair a Bust? [NYT]
MTA to Commision Major Art Works for 2nd Ave Subway Line [NYP]

Breakdown the Baselites – NYMag's Guide to Miami

Tuesday, November 27th, 2007

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via FNEWS

In anticipation for this year’s Miami art fairs, New York Magazine‘s Alexandra Peers takes a closer look at the main groups of attendees who will swarm the city next week.   (more…)

30 hours of the New New Museum

Tuesday, November 27th, 2007

The time has come – New Museum is opening this weekend. To kick off the long-awaited relocation & redesign of the institution, Target is sponsoring the first 30 hours that the new New Museum will be open, beginning at 12pm Saturday, December 1 through 6pm the next day.  Yes, they will be open overnight. (more…)

A bit of gossip: Larry Gagosian vs. Adam Lindemann…

Sunday, November 25th, 2007

So our speculation last week as to why Gagosian bought another one of his own artists’ pieces at Sotheby’s was partly correct. An article in PageSix this weekend gives us the dirt on the original owner, collector Adam Lindemann, and why Gagosian had dropped him as a client years ago. (more…)

Thanksgiving weekend links

Saturday, November 24th, 2007
Rieko Sakurai via Supertouch 

Rieko Sakurai’s unsettling cultural hybrid paintings in Tokyo [Supertouch]
Guggenheim’s exterior to remain gray [NYP]
Corrections to NYT auction results? [CultureGrrl]
Zach Feuer buys Google ads [AFC]
Despite “Diving Bell…” Schnabel is a painter first and foremost [NYT]
Christie’s sets Chinese contemporary record in Hong Kong [Bloomberg]
‘ArtStar’ season 2 artist work to be shown at Basel [AFC]
Wangechi Mutu at Victoria Miro through January 19th [Hustler of Culture]

Charles Ray at Matthew Marks Gallery

Thursday, November 22nd, 2007


Installation view of Charles Ray via Matthew Marks

Peering inside Matthew Marks‘ West 22nd Street space at a distance, Charles Ray’s latest pieces—The New Beetle, Egg & Father Figure—appear plastic, as if made using molds. The soft and very particular light of the gallery reflects off of their form, rendering them smooth, shiny and inviting, despite Ray’s typical choice of provocative and somewhat repulsive subject matter. (more…)

Maccarone now officially home of Peter Paul Chocolates

Monday, November 19th, 2007

Christian K. Coleman for ArtObserved

Peter Paul Chocolates, the current name of Maccarone Gallery, has officially opened and is producing 1,000 chocolate sculptures every day from now until the end of the year. Paul McCarthy, the artist behind the boutique, has formed Peter Paul Chocolates into and LLC in anticipation of replicating the chocolate factory in other locations in the future.

McCarthy’s iconic “Santa with Butt Plug” sculpture that debuted at Art Basel earlier this year is transformed into a chocolate version at the shop. Measuring ten inches high and made with 14 ounces of Guittard chocolate, each Santa retails for $100. (more…)