Alvaro Barrington, Win or lose/choose (2021), via Blum & Poe

Following several years of uncertainty raised by the Covid-19 Pandemic, the Frieze Art Fair returns to the sprawl of Los Angeles for a third year under the sunny skies of the Golden State. Having capped a pair of sold out editions before the pandemic began, this year’s edition takes up a new location and renewed vigor, emphasizing its role as a major part of the early weeks of the annual fair calendar. Read More »

Caroline Larsen at The Hole NYC, all images by Anfisa Vrubel for Art Observed

Taking over the Centro Citibanamex for another year of exhibitions, the Zona Maco art fair opened this week to packed crowds and enthusiastic response. The fair, which marks its 18th year this year, has continued to grow and evolve since its early years, and this year’s edition was no different, with a strong list of exhibitors that made the excitement of a full edition after several years of challenges posed by Covid-19 all the more palpable. Aisles were packed for much of the early hours of the fair, with gallerists and museum directors, collectors and advisors weaving through each booth.  Read More »

Zhivago Duncan, Shield of Thought (2019 – 2020), via Zhivago Duncan

Rachel Whiteread, Untitled (November) (2020), via Gagosian

As winter coasts into the early weeks of February, the art world returns once more to the sprawling Mexico City metropolis for another year of art week, centered around the proceedings at Zona Maco Art Fair, and the surrounding areas. With Mexico City’s stature growing each year as a central hub of the global arts community, the week once again promises a range of impressive shows and openings alongside the thriving sales events at the main fair. Read More »

Pavilions (Installation View), via Lisson

Marking a particularly unique investigation of modern sculptural and installation practice, Lisson Gallery is currently hosting Pavilions at its New York space, presenting a group of artists who engage with various forms and concepts surrounding the use of pavilions, ranging from physically-realized structures to designs conceived as ideas or sketches. Though the works in the exhibition vary in medium and scale, all are centered around the interaction with the viewer, together creating an environment that explores individual memory, identity and experience. Read More »

Bill Lynch, No Title [Bird on Branch and Three Plates] (n.d.), via The Approach

On view now at The Approach in London, the gallery has assembled an exhibition of paintings and drawings, never shown until now, by the late American artist Bill Lynch (1960-2013) united under the title I am a Bird from Heaven’s Garden. Born in Albuquerque, New Mexico, Lynch immersed himself in making drawings and paintings for over three decades, creating lyrical, expressive gestures on salvaged plywood that would mix abstraction and concrete iconographies in striking ways.

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Mary Obering, Works from 1972 – 2003 (Installation View), via Bortolami

This month at Bortolami Gallery, the work of artist Mary Obering takes center stage. Surveying Obering’s prolific output from 1972 to 2003, the exhibition focuses on the artist’s singular approach to Minimalism and geometric abstraction, spanning both floors of the gallery, with the Upstairs dedicated to artworks from the 1970s, a nod to the artist’s SoHo studio in which she took residency in 1971. Read More »

Petra Cortright, YAMAHA CDRW-4260T_vampire erotica archives TYPOGRAPHY MICROSOFT (2021), via Foxy Production

On view this month at Foxy Production, the gallery has assembled a show of new works by the artist Petra Cortright, marking her third solo exhibition with the gallery. Presenting images framed as “distillations” of the imagery that dominates our every day, this  new series of digital paintings uses Angel Wing Clematis, a white narrow-petalled climbing-vine flower—thought to symbolize knowledge and aspiration—as its central motif. Read More »

Rose Wylie, Battle in Heaven (Film Notes) (2008), via Zabludowicz Collection

Currently on view this month at the Zabludowicz Collection, a selection of the institution’s holdings are presented as a look at the progression and evolution of figuration in modern practice. The Stand-Ins brings together 19 artists who deploy autobiographical elements and a cast of imagined characters in the construction of their paintings and narratives, and maps lines of influence across generations, featuring seminal figures alongside important new voices. Read More »