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David Shrigley Will Serve as Guest Director for Brighton Festival

Tuesday, October 10th, 2017

London – David Shrigley’s “Really Good” Unveiled for Trafalgar Square’s Fourth Plinth Commission

Wednesday, October 5th, 2016

David Shrigley’s Fourth Plinth Statue Goes on View in London

Thursday, September 29th, 2016

David Shrigley Planning Massive Gravestone Installation in Central Park

Saturday, May 28th, 2016

David Shrigley Unveils Mascot Design for Partick Thistle Soccer Club

Tuesday, June 23rd, 2015

New York – David Shrigley at Anton Kern Gallery Through May 23rd, 2015

Saturday, May 23rd, 2015

David Shrigley Opens Sketch Restaurant Commission

Saturday, June 14th, 2014

David Shrigley Interviewed in The Guardian

Monday, June 2nd, 2014

David Shrigley and Hans Haacke Selected For London’s Fourth Plinth

Saturday, February 8th, 2014

Sketch Restaurant Announces Collaboration with David Shrigley

Friday, November 1st, 2013

David Shrigley to Design Shrine to Bubbles the Monkey

Monday, June 3rd, 2013

AO On-Site Interview – David Shrigley at the Opening of “Signs” – January 10th, 2013 at Anton Kern Gallery

Saturday, January 12th, 2013

AO On Site – New York: David Shrigley ‘How Are You Feeling?’ on High Line Billboard through May 7, 2012

Monday, April 9th, 2012

London: David Shrigley ‘Brain Activity’ at Hayward Gallery through May 13, 2012

Friday, March 2nd, 2012

AO Preview – Paris: FIAC Art Fair at the Grand Palais, October 19th – 22nd, 2017

Wednesday, October 18th, 2017

AO Auction Results – London: Christie’s Post-War and Contemporary Evening Sale, March 7th, 2017

Tuesday, March 7th, 2017

AO On-Site: Independent NY at Spring Studios, March 2nd – 5th, 2017

Thursday, March 2nd, 2017

British Artists Reflect on Their Degree Shows

Thursday, June 25th, 2015

AO On-Site: Art Basel at Messe Basel, June 18th-21st, 2015

Thursday, June 18th, 2015

AO Preview – Basel, Switzerland: Art Basel Art Fair, June 18th-21st, 2015

Monday, June 15th, 2015

Basel, Switzerland: Art Basel 2014 Preview, June 19th-22nd, 2014

Tuesday, June 17th, 2014

Derry-Londonderry: Turner Prize 2013 Announces Today. Exhibition at Ebrington Barracks Through January 5th, 2014

Monday, December 2nd, 2013

Turner Prize Begins Today in Derry, Northern Ireland

Tuesday, October 22nd, 2013

AO on Site – London: Frieze Artfair Preview, October 16th, 2013

Wednesday, October 16th, 2013
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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