Rashid Johnson, Untitled Totem (2021), via David Kordansky

On view in Los Angeles this month, artist Rashid Johnson has brought forth a selection of new works at David Kordansky that continue his exploration of a wide range of media and formats. The show, which includes new paintings, bronze sculptures, works on paper, and the debut of a new 35mm film will occupy all three of the gallery’s exhibition spaces. Read More »

Lisa Yusakavage, Yellow Studio (2021), via David Zwirner

On view now at David Zwirner’s 19th Street location in New York, artist Lisa Yuskavage marks her seventh solo exhibition at the gallery with a selection of new work that sees the artist continuing to mine her surreal approach to figuration, and her expression capacity for charging scenes with a latent tension complicated by notions of sexuality, the body, and society.  Read More »

Pol Yves Taburet at Balice Hertling, via Art Observed

Opening this year in another hall of the Messe Basel, the Liste Art Fair returns to Basel Art Week with another edition of its event showcasing works by a range of galleries presenting the latest and newest voices in contemporary art. Running in conjunction with the Art Basel fair just a few minutes away in another hall of the expansive exhibition center, Liste welcomes 81 galleries from 33 countries, each centering on younger artists, new concepts and exploratory work. Read More »

Tacita Dean, Purgatory (2nd Cornice) (2021), via Marian Goodman

Marian Goodman opens its fall exhibition calendar in New York this month with a selection of works by artist Tacita Dean, centered around a set of new works made in association with ‘The Dante Project,” commissioned by The Royal Opera House in London to create new designs for The Royal Ballet, which will premiere in October 2021. Centered on Dante’s Divine Comedy, with new music by Thomas Adès and choreography by Wayne McGregor, the ballet is structured in three parts: Inferno; Purgatorio; and Paradiso. Dean represents these three realms of Dante’s journey in an adventure through various mediums and means of representation, with works that move from drawing to photography and film; from negative to positive, representation to abstraction, and monochrome to color. Read More »

Elaine Cameron-Weir at JTT, via Art Observed

After a trying year in the art world, and a rigorous series of precautionary measures, the 2021 edition of Art Basel has opened its doors for its early hours, preparing for a public opening this weekend with an expansive offering of works from European galleries and those further afield. Coupled with the fair’s ongoing “Art Basel OVR” project, this year’s live edition of the fair returns its physical model, inviting over 250 leading galleries and more than 4,000 artists from five continents, on view both on-site and online. Open once again at the Messe Basel, the fair continues its reputation as a flagship for the international fair brand.  Read More »

Marcel Dzama, Who Loves the Sun (Installation View), via David Zwirner

David Zwirner presents new work by artist Marcel Dzama this month, continuing the artist’s exploration of travel, nature and colorful reflections on the history and social underpinnings of art. The show coincides with the opening of a major survey of the artist’s work at the Sara Hildén Art Museum, Tampere, Finland. Read More »

Dread Scott, Never Forget, Never Forgive: They Left Us to Die (2006), via P·P·O·W

This Septamber at P·P·O·W, the gallery is presenting RECOVERY, a group exhibition exploring art as a critical gesture towards collective resistance and remembrance. Acting as individual altar spaces, the works presented in this exhibition form commemorative sites to recover knowledge, provide proof, overcome loss, and contain memories.  Read More »

Leilah Babirye at Gordon Robichaux, via Art Observed

Art-goers descended upon Cipriani South Street in the newly renovated Battery Maritime Building last week for the much anticipated 12th installation of the Independent Art Fair, which opened in New York on September 9th. Formerly located at Spring Studios in Tribeca, the fair has garnered a reputation as a reliable source of fresh talent, and took up new residence  this year within the spacious corridors of the historic waterfront locale at the lower tip of Manhattan.

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Philip Guston, Entrance (1973), via Hauser & Wirth

Open now at Hauser & Wirth’s New York exhibition space, the gallery gives a meticulous treatment to the early breakthroughs of painter Philip Guston. Charting the figurative innovations that Guston pioneered in the last decade of his career, the show brings together eighteen masterworks created after the artist turned away from abstraction to assert an unprecedented new figural language. On view through the end of the month, the show offers a rare opportunity to appreciate Guston’s expressive and enigmatic pivot during the last year of the 1960’s, and the political and social undertones of his work.  Read More »

Wendy Red Star at Sargent’s Daughters, via Art Observed

This past weekend, New Yorkers flocked to the Javits Center, not for COVID-19 vaccinations, but rather for the much-anticipated Armory Show, which made its return after last year’s cancelled edition, and which marked the first major art fair in the United States since the pandemic struck. In the wake of lockdown, following an extended period of postponed events and online viewing rooms, eager art-goers packed into the Javits Center, where the fair is now located. In the spacious, newly renovated convention center along the Hudson River, the fair presented more than 150 booths, with more than 40 international galleries. Serving as a fixture of modern and contemporary art, the fair kicked off the New York art world’s busiest week of the season—Armory Week. Read More »