JPW3 at Marc LeBlanc

Offering a counter point to the big budget proceedings at Zona Maco across town, Material Art Fair has once again returned to the spacious halls of the Expo Reforma once again (the first time in the same location as a previous edition), opening its doors this Thursday to strong attendance and interest from collectors and attendees. Read More »

Simon Vega, Tropical Space Hostel (2019), via MAIA Contemporary

Zona Maco has opened for its 16th year, celebrating the milestone event today with the first day of its VIP preview, and a look at the stature of the fair in relation to the burgeoning artistic community in Mexico City.  Once again taking over the expanses of the Centro Banamex, Zona Maco opened on a sunny, warm Tuesday, a much-needed relief from the brittle cold that has swept over much of the northern US and parts of Europe in the past few weeks.

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Abraham Cruzvillegas, Blind self portrait listening to the version of ‘Canción mixteca’ (‘Qué lejos estoy’) by Enrique “Chato” Rodríguez, while tasting an unexpected spirulina ice cream at a Thai restaurant in Austin, after finishing a book about a guy selling snow balls in Manhattan, thinking on how specific needs generate diverse shapes in space… (2018), via Kurimanzutto

As the winter season winds slowly towards spring, the art world will look for its first taste of warmer climes for 2019, with the first major art fair of the year set to open in the sunny capital of Mexico.  Running through the week, the Zona Maco and Material Art Fairs offer the first look at the market landscape for the global fair scene, and the increasingly strong influence of Latin America on the broader art market. Read More »

Richard Artschwager, Excursion (2001), via Art Observed

Currently at Gagosian Gallery’s 980 Madison Space, the mega-dealer has launched a show of works by the late artist Richard Artschwager. Titled Primary Sources, the show compiles a series of key paintings and drawings alongside materials from his personal archive, research documents, sketches and other elements that underscore Artschwager’s meticulous and impressive approach to working. Read More »

Jasper Spicero, Centinel (Installation View), via Art Observed

Just opened at Swiss Institute, artist Jasper Spicero marks his first institutional solo exhibition with a selection of new sculptures and video that continues the artist’s investigation of sculptural modes, states and perceptions of time, and the attendant moments of subverted memory and time caused by digital timelines and narratives. Read More »

Jill Muilleady, Touch Me Not (2018), via Art Observed

A group of young artists takes center stage at Lisson Gallery this month, with an exhibition titled The Rest exploring their respective interests in figurative painting as well as concomitantly capricious and complex approaches to image making.  Featuring the work of Van Hanos, Allison Katz, Jill Mulleady, Jeanette Mundt, Nolan Simon and Issy Wood, the show is a striking inquiry into a range of ideas and concepts in modern image production, and the state of the painted image in the 21st Century.
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Wang Guangle, Duo Color (Installation View), via Pace

Currently on view at Pace Gallery’s New York location, Chinese artist Wang Guangle has installed a body of new paintings marking a continuation of the artist’s nuanced approach towards painterly minimalism and gestural abstraction.  Titled Duo Color, the show invites a reconsideration of Wang’s work in the investigation of time and space, bound by the movement of the brush and the application of paint to canvas.   Read More »

Amadeo Luciano Lorenzato, Sem título (1993). All images via David Zwirner.

Now through February 9, David Zwirner is presenting work by the Brazilian-born painter Amadeo Luciano Lorenzato, making the the first time Lorenzato’s work is being shown in the United Kingdom, and the first solo show by the artist outside of Brazil. One of the foremost painters of his generation, Lorenzato developed a body of work that centers on subjects he encountered in his hometown of Belo Horizonte, Brazil, where the Brazilian Concrete Art movement emerged in the 1950s. These include land- and townscapes, favelas, and individuals he met in his daily travels. Read More »

Dana Schutz, The Visible World (2018), via Petzel Gallery

Marking her third solo exhibition with Petzel Gallery, artist Dana Schutz returns to New York this month with “Imagine Me and You,” a solo show of new paintings and sculptures. Diving deeper into her kinetic, often bizarre juxtapositions and alterations of physical space, Schutz’s work in the show marks a continuation and elaboration of her aesthetic practice. Read More »

Claudia Comte, The Morphing Scallops (Installation View), via Gladstone

Marking the first exhibition dedicated solely to the painting practice of Claudia Comte, Gladstone Gallery’s current show of wall paintings arrives at a particularly ironic moment in American politics.  As the US government goes unfunded over a restrictive physical structure on its Southern border, the Swiss artist presents her works as coy investigations of physical limits, and the internal worlds that they make possible to express and elaborate. Read More »