Art Basel Hong Kong Director Magnus Renfrew is reportedly leaving his post with the growing art fair to join Bonhams Auction House in the role of deputy chairman, Asia and director of fine arts, Asia.  “Renfrew will be responsible for defining the strategy for Bonhams in Asia relating to the fine arts and will oversee the established departments of classical, Modern and contemporary art in Asia,” Bonhams stated in a press release. (more…)

Last week, artist Cai Guo-Qiang floated a specially made ark, filled with stuffed animals, around Shanghai harbor, in an attempt to draw further attention to the port city’s heavily polluted waters.  “Not being dead leaves possibilities and space for imagination,” the artist said of his work, emphasizing the space between living and dead that his stuffed animals occupy. (more…)

Zhang Xiaogang, The Prisoner of Book No. 5 (2014), Courtesy of Pace Gallery

One of the major artists tied to the recent boom of Chinese contemporary art, Zhang Xiaogang has gained some impressive recognition in the last decade, proven in particular by his recent auction record.  Referring to certain Western styles of Surrealism and German Expressionism, Ziaogang has been delivering a body of visually captivating figurative paintings, building a signature style from hybridized forms of the subliminal and the physical in human consciousness. (more…)

Ai Weiwei is set to launch a new project in Poland next month, consisting of three pits filled with broken crockery and covered over.  Installed in Brodno Sculpture Park, the hidden crockery are replicas of vases from a previous project made in 2005.  “In reaching out to the history of this precious object, Ai was interested in the fetishisation of certain artefacts and their complex history encapsulated in the colonial logistics of robbery and appropriation,” says park curator Sebastian Cichocki. (more…)

Ai Weiwei has backed the new Digital Arts website The Space which will commission and showcase new art online for website visitors.  The artist has also donated the names of 5,196 student victims from the Sichuan Earthquakes in 2008, in the hope that The Space will use them to create a new work.  “It gives another opportunity and a platform for artists or somebody like me to work with. I believe many, many young people and students will love it,” Ai says.  (more…)

The New York Times notes the increased prominence of contemporary and modern art in Chinese commercial centers, as galleries open up alongside luxury fashion and consumer goods shops.  Billed as “museum-retail” by current innovators like the K11 Foundation, the approach looks to target Chinese shoppers not normally inclined to viewing or purchasing art.  “A lot of people in China think that art is for very rich people and get intimidated,” says K11’s Eric Chan. (more…)

Ai Weiwei, Mask (2013) All Images Courtesy of the artist and Lisson Gallery

One of the most influential and politically vocal artists of his generation, Ai Weiwei has found himself in the headlines frequently since his 2011 seizure by the Chinese government and subsequent imprisonment for more than eighty days without any official charges being declared. As a prominent objector of Chinese government’s oppressive demeanor, Weiwei has been an active figure in the country‘s struggle for freedom of speech and personal rights.  Following up on Ai’s presence internationally in the past year, Lisson is currently presenting Ai Weiwei’s third solo exhibition with the gallery, touching upon the artist’s most familiar themes, explored through a combination of new and old objects. (more…)

Jean-Michel Othoniel, Double Collier Autoporté Or (2014), all images courtesy Galerie Perrotin Hong Kong

On view at Galerie Perrotin, Hong Kong is a solo exhibition of sculptures by French contemporary artist Jean-Michel Othoniel. For the works, great hanging sculptures composed of glass that Othoniel made in collaboration with a Feng Shui Master. Seeking to create forms that originate in human life, the works seek to achieve a symbiosis with the space that they inhabit.

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Zhang Huan, Spring Poppy Field No. 34 (2014), via Pace Gallery London

One of the most influential and prolific contemporary artists from China, Zhang Huan has worked across a wide spectrum of practices including performance, installation, photography and sculpture, reflecting his personal history as well as the collective consciousness of the present society.  As a body artist, Huan has delivered performances in which he pushed the limits of physical and psychological endurance, echoing the issues such as war, social injustice and alienation while simultaneously commenting on concepts of spirituality and transcendence. Using his own body as his main tool along with different materials such as blood, meat, brushwood and live animals, he has given impressive and challenging performances in different art institutions around the world, provoking the viewers to contemplate on issues that are often ignored and avoided.

Zhang Huan, Spring Poppy Field No.14 (detail) (2014), via Pace Gallery London (more…)

The New York Times documents a new trend in galleries’ approach to setting up space in Hong Kong: focusing on small exhibition spaces and tighter exhibitions to draw interest while remaining economically flexible.  “We’ll have exhibitions about four or five times a year, but an exhibition can be three works or four works,” says Pace chairman Arne Glimcher of his gallery’s new Hong Kong space. “Or if it’s watercolors or works on paper or small sculptures, it can be 10 works.” (more…)

Qingtai Hu at Shanghai, All Images © MCH Messe Schweiz (Basel) AG

After a hectic week, the Art Basel Hong Kong event is winding down, leaving behind it a record of strong sales and high-profile attendees, continuing the fair’s prominent footprint in Hong Kong’s ever-strengthening draw for collectors and artists.  Pi Li and Doryun Chong of the M+ Museum could be seen browsing the works, as well as Uli Sigg, Takashi Murakami and Carsten Nicolai, who had just opened his astounding installation at the International Commerce Center. (more…)

New York collector Christopher Tsai has announced his intent to found the first Ai Weiwei Museum in his home city, the Art Newspaper reports.  The collector has been inspired by the artist’s output, as well as the proliferation of museums dedicated to the work of a single artist. (more…)

The Financial Times takes an inside look at the recently opened second location of the Long Museum in Shanghai, operated by Director Wang Wei and her husband Liu Yiqian.  “Our idea initially was to have only one museum,” Wang says, “but the government came to us, encouraged us to open another and gave us a discount on the land, on condition that we make a cultural project. I probably would have been happy with one.” (more…)

A rendering for Carsten Nicolai’s Alpha Pulse, via Wall Street Journal

Coming hot off the heels of Frieze New York, Art Basel’s growing Hong Kong fair opens this week, shifting the art market’s attention halfway around the globe for the newest entry in the Basel fair franchise as it prepares for its second year. (more…)

Ai Weiwei’s name and works have been removed from a show of Chinese contemporary art in Shanghai, following government pressure over his inclusion.  “We were not really a party to this,” says Uli Sigg, the Swiss collector and organizer of the show. “In the end it was the Power Station and the cultural bureau. In the end we said we must accept. We don’t understand but we must accept that his works will not be in there.” (more…)

Gao-Yuan, Ai-Weiwei (2012), all images courtesy Martin-Gropius Bau

Opening on April 3rd at Martin-Gropius-Bau in Berlin, and organized by the Berliner Festspiele, is the largest solo show of works by Ai Weiwei ever to be exhibited. Taking up 3,000 square meters in 18 rooms, the installations and sculptures.  Entitled Evidence, the politically driven works from the artist, architect, and amateur politician alludes to the term meaning “proof that will stand up in court.” The works were designed in his studio on the outskirts of Beijing, and many of which were specifically designed for display in the museum’s spacious exhibition halls.

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A new documentary on Ai Weiwei, The Fake Case, is preparing for release, profiling the artist’s release from his 81-day detention under the Chinese state, the artist’s response after his imprisonment, and his preparation for S.A.C.R.E.D., a series of works that documented his time while he was held without bail for tax evasion, a charge one person in his film notes doesn’t even exist in China.  “Nobody in China would believe it, because nobody pays taxes in China anyways, so there’s no such thing,” they say. (more…)

This spring, three shows of work by artist Ai Weiwei are opening in London, Berlin and New York, with a major retrospective at the Brooklyn Museum, an exhibition at Lisson Gallery in London, and the largest exhibition of the artist’s work to date at the Martin-Gropius Bau in Berlin.  The exhibition at the Brooklyn Museum includes the artist’s S.A.C.R.E.D. works, half-sized dioramas depicting his 81-day imprisonment that commanded major critical attention at the Venice Biennale last year.  The exhibitions come with a hope that Chinese tourists may be exposed to Ai’s work outside his own country.   “Because my work is banned from being shown inside China, the only way they can become aware of it is from the outside,” he said. (more…)

Sotheby’s saw impressive results this weekend at its Modern and Contemporary Asian Art auction in Hong Kong, with total sales topping $86 million.  World Record prices were achieved for 8 artists up for bidding that night, including a $12.1 price tag for Zhang Xiaogang’s Bloodline: Big Family No. 3. (more…)

Artist Xu Zhen is profiled on Nowness this week, following the artist’s commission at the Armory Show last month.  Giving a rare tour of his studio, Xu offers a perspective on his working style and his company, MadeIn, which produces the artist’s work as part of a broader creative project.  “I’m not confined to working in any specific medium,” Xu says. “I think concept is more important.” (more…)

He Xiangyu, Wisdom Tower (2012-2013), all images courtesy White Cube Bermondsey

At White Cube Berdmonsey’s North Galleries is the first UK exhibition of work by Chinese artist He Xiangyu, composed of installations and multimedia sculptures meant to express cultural and social concerns while maintaining an ongoing interest in the body and its place in exchanges between the two.

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Outside the 2014 Armory Show, via Art Observed

The doors of The Armory Show opened this morning for its VIP preview, welcoming collectors and press from around the world to Piers 92 and 94 on Manhattan’s West Side.  This year, the fair welcomes 205 galleries to its annual selling event, down again from last year’s 214 in what seems to be a running trend to trim the fat at the larger fairs worldwide.

Armory Show (Installation View), via Art Observed (more…)

A group of artists have donated works to a benefit auction for the legal defense fees of Maximo Caminero, the Miami artist accused of breaking a vase at the exhibition of works by Ai Weiwei at the Perez Art Museum.   “We do not support the act, but we support the intention,” said painter Danilo Gonzalez. (more…)

China Poly Group Corporation, the state-run mega-conglomerate has announced that its cultural division will seek an Initial Public Offering this year, anticipated to raise up to $330 million for the company.  China Poly is a major player in the Chinese auction market, pitted against Sotheby’s and Christie’s, but seems to have set its sights internationally.   “We are very big in the art auction market in mainland China but still have a long way to go to become the biggest auction house worldwide,” said China Poly chief executive, Jiang Yingchun. (more…)